Powered by Blogger

Ethel the Blog
Observations (and occasional brash opining) on science, computers, books, music and other shiny things that catch my mind's eye. There's a home page with ostensibly more permanent stuff. This is intended to be more functional than decorative. I neither intend nor want to surf on the bleeding edge, keep it real, redefine journalism or attract nyphomaniacal groupies (well, maybe a wee bit of the latter). The occasional cheap laugh, raised eyebrow or provocation of interest are all I'll plead guilty to in the matter of intent. Bene qui latuit bene vixit.

The usual copyright stuff applies, but I probably won't get enraged until I find a clone site with absolutely no attribution (which, by the way, has happened twice with some of my other stuff). Finally, if anyone's offended by anything on this site then please do notify me immediately. I like to keep track of those times when I get something right.

Google!


How to blog?

METABLOGGING

Blog Madness
Blog Portal
linkwatcher
Monitor

BLOGS (YMMV)

abuddhas memes
alamut
apathy
arms and the man
baghdad burning
bifurcated rivets
big left outside
boing boing
booknotes
bovine inversus
bradlands
bushwacker
camworld
cheek
chess log
cogent provocateur
cool tools
counterspin
crooked timber
delicious music
delong
digby
drat fink
drmike
d-squared
dumbmonkey
electrolite
eschaton
estimated prophet
ezrael
fat planet
flutterby!
follow me here
geegaw
genehack
ghost
glare
gmtplus9
hack the planet
harmful
hauser report
hell for halliburton
honeyguide
hotsy totsy club
juan cole
kestrel's nest
k marx the spot
kuro5hin
lake effect
lambda
large hearted boy
leftbanker
looka
looking glass
macleod
maxspeak
medley
memepool
metagrrrl
mike's
monkeyfist
more like this
mouse farts
mp3blogs
my dog
norbizness
off the kuff
orcinus
pandagon
pedantry
peterme
philosoraptor
pith and vinegar
plastic
portage
q
quark soup
quiggin
randomwalks
rip post
rittenhouse
see the forest
shadow o' hegemon
sideshow
simcoe
south knox bubba
slacktivist
smudge
submerging markets
sylloge
synthetic zero
talking points
tbogg
twernt
unknownnews
vacuum
vanitysite
virulent memes
whiskey bar
windowseat tv
wood s lot

TECH

Librenix
use perl
rootprompt
slashdot
freshmeat
Ars Technica
32BitsOnline
UGeek
AnandTech
Linux Today
Tom's Hardware
DevShed


"When they say, 'Gee it's an information explosion!', no, it's not an explosion, it's a disgorgement of the bowels is what it is. Every idiotic thing that anybody could possibly write or say or think can get into the body politic now, where before things would have to have some merit to go through the publishing routine, now, ANYTHING." - Harlan Ellison



JOLLY OLD PALS
Old pals Rumsy and Saddam


Other stuff of mild interest to some:
unusual literature
scientific software blog
physical oceanography glossary
computer-related tutorials and texts

Friday, December 17, 2004

DIGITAL PHOTO EFFECT
Now
here's something that resonates with someone possessing 13,000 books, 1600 vinyl albums, 700 cassette tapes, 1300 CDs, 150 DVDs and close to a terabyte of stuff about which we'll skip the details. So what do I do? I've estimated that if I consume all my available media options just once apiece and spend 8 hours per day doing so, I'll have to make it to 130 years of age. What the hell - sounds like a good goal...well, at least that latter bit.
...
I'm finding that the "digital photo effect" is starting to make its way into my music and video experiences as well. What's the DPE? My ability to produce and acquire has far outstripped my ability to consume. Produce from my own digital camera. Acquire from friends, family, Flickr, etc. This has a couple of ramifications:

  1. I feel behind all the time.
  2. Because there is so much to consume, I don't enjoy each individual photo as much as I did when they were physical prints. I click through fast.
  3. Because of 1 and 2, sometimes I don't even bother.
Back in the day, I'd get a CD and I'd listen to it. A lot. A CD was a considered purchase - if I was going to make the effort to go to the store and spend my hard earned money on it, it was going to be worth it. In the car, at the gym, at work, at home - I'd listen to it everywhere. The first few listens usually couldn't be at work, because I'd be listening. Once my brain knew the album, then it could become soundtrack to whatever else I was working on.

Now, the time between when I think that I might be interested in hearing, say, the new Bjork album and when I can actually have it is minutes. Transaction cost can be as low as free (depending on if I use something like iTunes or something like BitTorrent). Assuming I used BitTorrent, it's cost me nothing and taken me no time, so there's no inherent pressure to listen to it. Repeat this a bunch of times, and all of a sudden, my hard drive is full of music that I've never heard, and the DPE starts to kick in. So what do I do? I listen to the same old albums over and over (lately Akufen), because I know I like them and that they won't disturb me while working. Most of the time these happen to be albums that I've ripped myself, after having listened to the CDs a lot. So having more music available has made me seek the comfort of what I already know. Do I just need more time so that I can "catch up"? Do I need a mobility solution so that I can leverage non-PC time? Do I need a curator like Activaire? Do I need to raise my transaction costs so that I feel a need to get my money's worth?

The same scenario applies to video, except that consumption is even harder, because you have to dedicate time/attention to it.

Another interesting question is whether the new way people process digital media is changing the way they process physical media as well. Now that they're used to racing through hundreds of digital photos, do they also race through physical ones?


posted by Steven Baum 12/17/2004 10:03:56 AM | link


Comments?
Archive

LISTS

Books
Software

uPORTALS

cider
crime lit
drive-in
fake lit
hurricanes
os
scripting
sherlock
texas music
top 100
weirdsounds
wodehouse

LEISURE

abebooks
alibris
amazon
bibliofind
bookfinder
hamilton
powells

adbusters
all music
arts & letters
atlantic
art history
attrition
bibliomania
bitch
bizarre
bizarro
blackadder
bloom county
bob angry flower
callahan
chile pepper
classical music
cnnsi
crackbaby
cult films
culture jamming
discover
disinformation
dismal scientist
electric sheep
espn
exile
exquisite corpse
fine cooking
fluble
fry and laurie
get your war on
hotel fred
hotendotey
hypocrisy network
jerkcity
last cereal
leisure town
logos
london times
mappa mundi
miscmedia
mr. chuck show
mr. serpent
natl geographic
new scientist
no depression
not bored
obscure store
onion
online books
parking lot is full
pearly gates
probe
red meat
rough guides
salon
sf site
simpleton
sluggy freelance
small grey
spacemoose
spike
straight dope
suck
superosity
tawdry town
too much coffee
toon inn
verbivore
vidal index
wodehouse
you damn kid
zippy

mose allison
allman brothers
dave alvin
asleep at the wheel
asylum street spankers
austin lizards
kevin ayers
bad livers
dan bern
willem breuker
junior brown
sam bush
butthole surfers
calexico
chris chandler
commander cody
ry cooder
karl denson
dirty dozen
dr john
joe ely
flaming lips
kinky friedman
godspeed
govt mule
david grisman
roy harper
dick hyman
joe jackson
jethro tull
king crimson
christine lavin
david lindley
little feat
los lobos
macumba
phil ochs
john prine
leon redbone
joshua redman
residents
doug sahm
sun ra
eric taylor
they might be giants
richard thompson
townes van zandt
johnny winter
robert wyatt
frank zappa





Powered by Blogger