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Ethel the Blog
Observations (and occasional brash opining) on science, computers, books, music and other shiny things that catch my mind's eye. There's a home page with ostensibly more permanent stuff. This is intended to be more functional than decorative. I neither intend nor want to surf on the bleeding edge, keep it real, redefine journalism or attract nyphomaniacal groupies (well, maybe a wee bit of the latter). The occasional cheap laugh, raised eyebrow or provocation of interest are all I'll plead guilty to in the matter of intent. Bene qui latuit bene vixit.

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Friday, April 06, 2001

DECONSTRUCTIONIST BEDFELLOWS
In a lengthy
Nation piece called Deconstructing the election, Win McCormack details how the GOP became the deconstructionists they purport to hate during the Florida election coup. He sums:
In Florida, to win the presidency, the Republican Party betrayed what its intellectual spokespeople allege are among conservatism's highest ideals. To discredit the manual recounting process that they feared would result in the election of Al Gore, Republican representatives like Jim Baker propagated, in effect, the doctrine that human beings are incapable of being fair and objective in their interpretations of reality. To discredit judicial decisions that went (or simply might go) against their interests, they propagated, in effect, the doctrine that law does not have even a dimension of neutrality or disinterestedness but is from beginning to end an exercise of raw political power in disguise. Both of these are doctrines that their intellectual spokespeople like Lynne Cheney claim to oppose and despise--doctrines that according to her, are nothing less than "an assault on Western Civilization." And, to compound the moral dilemma they were creating for themselves and their movement, these representatives proceeded to conduct themselves in ways that lent support to the validity of these same cynical, anticonservative doctrines. A party that for a long time has professed adherence to principles of states' rights and judicial restraint played federal judicial intervention as its trump card to insure the election of its candidate. Will it ever be possible, in our generation anyway, to take its intellectual pronouncements seriously again?
But then again I haven't taken the "intellectual pronouncements" of the GOP seriously since at least 1980, when the classical conservative writers and ideas were jettisoned and replaced with the intellectual poverty of the party's new "philosophers" Lee Atwater and Roger Ailes.
posted by Steven Baum 4/6/2001 04:15:16 PM | link

DYER ON JAZZ
I happened on Ken Dyer's
Blown Away: The Millennial State and Fate of Jazz while browsing through the well-stocked shelves at wood s lot, and found several paragraphs worth repeating for at least my future reference. Dyer begs to disagree with the long trail of "jazz is dead" Cassandras beginning with Philip Larkin (whose Larkin's Jazz: Essays and Reviews, 1940-1984 is interesting albeit over-the-top grim reading) and leading most recently to 19 hours of Wynton Marsalis delivering a 40 year old eulogy via his Ken doll. Although even Dyer is somewhat displeased with the general state of things, e.g. "but even the most fertile soil -- found on the slopes of Mount Coltrane -- has become exhausted by overuse," he hasn't quite locked himself up in a room with his Louis Armstrong 78s:
The case of Norwegian saxophonist Jan Garbarek is more complex. Not only is Garbarek one of the world's greatest saxophonists, he has also been one of the musicians most willing to move beyond the boundaries defining jazz as jazz (it is no accident that, in 1977, he played alongside Don Cherry and others on Collin Walcott's seminal global-fusion album, Grazing Dreams). Garbarek's collaborations with Pakistani singer Ustad Fateh Ali Khan ( Ragas and Sagas, from 1992) and Tunisian oud player Anouar Brahem ( Madar, from 1994) have helped tilt the geographical balance of jazz further eastwards. Four years after Madar, Brahem released an album that would probably not have come about without his having played with Garbarek. On Thimar, Brahem was accompanied by Dave Holland (bass) and John Surman (soprano saxophone and bass clarinet). On the title track, Surman, who is masterful throughout, sounds so like Coltrane -- in high Eastern mode -- as to suggest that it is here, in a distant outpost of the crumbling jazz empire, that the saxophone finds most rewarding employment.
Dyer writes of a death that, although disturbing, didn't drive him to deliver a eulogy for jazz as did Larkin after the death of Duke Ellington in 1974:
I have never been as moved by the death of a public figure as I was by the death of Don Cherry in October 1995. Unlike Larkin, however, I was not prompted to reflect that jazz was "finally finished," for although obituaries referred to him as "a jazz musician" or as "trumpeter," Cherry -- the embodiment of all that is best in the term "world music" -- had moved beyond all limiting descriptions. Since his death, the invocation of Cherry's name or spirit is, not surprisingly, an invariable sign of musical vitality. Trilok Gurtu was one of the first to respond, with "Don" and "Cherry Town" on The Glimpse (1997). And it is to Cherry that Nils Petter Molvaer's trumpet alludes, unmistakably, on the title track of his ground-breaking 1997 album, Khmer. The opening of his follow-up, Solid Ether (2000), is even more saturated by Cherry's memory and liberating influence.

Molvaer was born in 1963 on the northwest coast of Norway. The first trumpeter he got into was Miles Davis -- not the Miles of Kind of Blue or My Funny Valentine but the Miles of the electric phase, initiated by In a Silent Way and Bitches Brew. (It goes without saying that it is not just Miles's trumpet style but the larger musical conception and sound that is important to Molvaer.) "He Loved Him Madly" -- the Stockhausen-inflected Ellington tribute -- is absolutely central to this stage of Miles's career: a brooding, proto-ambient piece, finishing, as Ian Carr puts it, "with a long, grooving pulse that transforms all the grieving into something positive and even optimistic." To Larkin, of course, it would have sounded a singularly inappropriate tribute: a cause for deepening pessimism, more like.

And then a bit about of couple of European labels Dyer considers to be at least a part of the future of the genre:
The two branches bearing the greatest weight of expectation are in Germany and Norway. The influence of Manfred Eicher's Munich-based ECM Records in general and of Jarrett (who has been with the label since 1971) in particular has grown steadily over thirty years. It has been reciprocated by an ongoing input of Scandinavian musical talent that is now finding innovative expression closer to home, through the Jazzland label in Oslo. The larger hopes of the label were announced -- with Coleman-like bravura -- by its founder Bugge Wesseltoft in 1996, when he released his own album New Conception of Jazz. To my ears, the juxtaposition of old-style horns and contemporary electronica is too brazen in conception that demands subtlety. Subsequent releases on the label -- Electronique Noire, by Eivind Aarset (who is featured on Solid Ether); Undertow by Sidsel Endresen -- have been patchy but adventurous. The most consistently satisfying Jazzland album so far is Wesseltoft's second, Sharing, in which the various timbres and styles are more subtly arranged and reconciled. Molvaer guests on "Breen'n Glue" and on many other tracks -- the best ones, broadly speaking -- on the label's other releases.
Now how many euros in a dollar?
posted by Steven Baum 4/6/2001 02:15:00 PM | link

A SHRUB'S PERSPECTIVE
After reading the review of J. R. McNeill's
Something New Under the Sun: A Environmental History of the Twentieth-Century World in the NYTimes book review section about a year ago, I was more than a little intrigued and looked for it the next time I hit the local Barnes Ignoble. Unsurprisingly I didn't find it, so the memory slipped away until the paperback version came out and the Times book review again mentioned it in their "new in paperback" section a couple of Sundays ago. A mention of the same book in BookNotes a few days ago bolstered the memory sufficiently to cause me to look for it when I hit the sames Barnes Ignoble again last night, and I found it. The preface and chapter 1 have already proved I won't be disappointed by either the writing style (e.g. quite witty without being supercilious) or the content. McNeill's already intrigued me to dig up something else via the following paragraph in the preface:
All historians write with viewpoints and biases. Here are some of mine. This book is anthropocentric. The American humorist Robert Benchley allegedly wrote a history of the Atlantic cod fishery from the point of view of the fish. The British historian Arnold Toynbee published "The Roman Revolution from the Flora's Point of View," in which he gave speaking roles to plants. An environmental history of the world in the twentieth century might be very interesting, but I lack the imagination for that. My book leaves out a lot of ecological changes simply because they have little to do with human history.
The Toynbee piece is from his two volume Hannibal's Legacy (Oxford University Press, 1965, pp. 585-599), although since our "library" doesn't have a copy (of this book by this obscure author) and the cheapest of two sets available via ABEbooks is $100, I probably won't be providing any excerpts for a while.

While I'm familiar with Benchley (father of "Jaws"-boy) and have a few collections of his writings, I'm not able to identify the cod piece mentioned by McNeill. If anyone can nail this down, it'd be most appreciated on this end. The topic also begs to be expanded. Are there any other examples of this historical sub-genre? The only example I can currently dredge up from the recesses is Julian Barnes' History of the World in 10 1/2 Chapters, although it's a novel with historical overtones rather than strictly a history (although given the number of times I've seen it shelved in the "history" section in bookstores it should probably get an honorable mention in the history category).

P.S. No, I didn't conjure up this entire entry solely for the sake of the horrific pun.
posted by Steven Baum 4/6/2001 09:33:09 AM | link

Thursday, April 05, 2001

WODEHOUSE NUGGETS
I've sufficiently recovered from the shock of someone breaking into my house and leaving a check for $1500 to offer some tidbits from Richard Usborne's
Wodehouse Nuggets, which mines Wodehouse's 90 or so books for nearly 2000 samples of the the great man's similes, metaphors and exceedingly jolly wit. It also contains a goodly collection of illustrations from the defunct "Strand Magazine," which published over 150 of Wodehouse's stories over 30 years.
He cowered before Aunt Dahlia like a wet sock.

She gave a sort of despairing gesture, like a vicar's daughter who has discovered Erastianism in the village.

His manner had nothing in it of the jolly innkeeper of old-fashioned comic opera. He looked more like Macbeth seeing a couple of Banquos.

She was a woman capable of checking a charging rhinoceros with a raised eyebrow and a well-bred stare, but she had her softer side.

The valet withdrew like a duke leaving the Royal Presence, not actually walking backwards but giving the impression of doing so.

Jeeves lugged my purple socks out of the drawer as if he were a vegetarian fishing a caterpillar out of his salad.

It was a poetic drama, and the audience, though loath to do anybody an injustice, was beginning to suspect that it was written in blank verse.

Like so many infants of tender years he presented to the eye the aspect of a mass murderer suffering from an ingrowing toenail.

Except for an occasional lecture by the vicar on his holiday in the Holy Land, illustrated by lantern slides, there was not a great deal of night-life in Dovetail Hammer.

Market Snodsbury is mostly chapel folk with a moral code that would have struck Torquemada as too rigid.

Bridmouth-on-Sea is notorious for its invigorating air. Corpses at Bridmouth-on-Sea leap from their biers and dance round the maypole.

To attract attention in the dining room of the Senior Conservative Club between the hours of one and one-thirty, you have to be a mutton chop, not an earl.

The Aberdeen terrier gave me an unpleasant look and said something under his breath in Gaelic.

He tottered blindly towards the bar like a camel making for an oasis after a hard day at the office.

I always say that if you've seen one Gentleman of the Press having delerium tremens, you've seen them all.

A frightful little weed who sings alto in the choir and for the privilege of kicking whose trouser-seat the better element fight like wolves.

Honoria Glossop is one of those robust, dynamic girls with the muscles of a welterweight and a laugh like a squadron of cavalry charging over a tin bridge.

A melancholy-looking man, he had the appearance of one who has searched for the leak in life's gas-pipe with a lighted candle.

Hash looked like one who has drained the four-ale of life and found a dead mouse at the bottom of the pewter.

A curious gulping noise not unlike a bulldog trying to swallow half a cutlet in a hurry so as to be ready for the other half.

Lady Malvern fitted into my biggest arm-chair as if it had been built round her by someone who knew they were wearing armchairs tight round the hips that season.

She looked like something that might have occurred to Ibsen in one of his less frivolous moments.

The drowsy stillness of the summer afternoon was shattered by what sounded to his strained senses like G. K. Chesterton falling on a sheet of tin.

With a gesture such as Job might have made on discovering a new boil, he crossed to the window and stood looking moodily out.

I haven't felt so relieved since the afternoon in West Africa when a rhinocerous, charging at me with flashing eyes, suddenly sprained an ankle and had to call the whole thing off.


posted by Steven Baum 4/5/2001 10:54:14 PM | link

Wednesday, April 04, 2001

THE INESTIMABLE MR. BURGESS
If you've been perusing these offerings for any length of time, you're probably familiar with my admiration of one Mr. Anthony Burgess, an author and critic who was much, much more than the man who became famous when
Stanley Kubrick filmed the 20 chapter U.S. version of his novel A Clockwork Orange (instead of the 21 chapter version Burgess actually wrote and which was published in England and just about every other place on the planet). I was most pleased to recently espy and obtain a copy of One's Man's Chorus: The Uncollected Writings, a posthumous collection of post-1980 essays collected and introduced by Ben Forkner (at the urging of Burgess's widow and second wife Liana, more about whom can be found in You've Had Your Time: Being the Second Part of the Confessions of Anthony Burgess, the second volume of one of the best autobiographies I've ever read although the second volume is inferior to the first).

Forkner's introduction adds another chapter to the legend as he recounts a visit Burgess made to the University of North Carolina in 1969:

On the day that has now become a legend on the campus, he had been invited to teach five different courses, not on general matters of his choice but on the scheduled topics of the required syllabus. These courses were given by five different professors, each one a highly regarded specialist in his field. The topics ranged from an account of Chaucer's scientific knowledge in a specific passage from "The House of Fame" on up to the problem of Celtic myth in Joyce's " Ulysses." A number of more arcane mysteries were to be demystified in between.
...
Burgess of course, without batting an eye, transformed what would have been a grueling death march through a day of duty for a normal academic mortal into a one-man parade of spectacular virtuosity. A small group of us, joined by a few of the younger professors, followed him from class to class. We were dazzled, even the crusty old Miltonian whose eyes were moist when the lecture in his class came to an end with a long passage from " Aeropagitica" quoted from memory (always from memory). We had all been given a valuable lesson. Literature did not mock the grave because it was printed on the page, but because it could be carried around alive in the brain. After five hours of uninterrupted brilliance, without a hesitation or false note to mar the performance, no professor or student dared or desired to say a word.
After a colossal performance that would have left Hercules exhausted, Burgess then led all willing victims to a local pub for a monstrous piss-up, which the great man also dominated:
He parodied, he mimicked, and he joked. Charles Dickens and Groucho Marx joined the party. And he sang, in all the voices, choralling through time and across the ocean. He would break into Rodgers and Hart or Gilbert and Sullivan or a ribald Scottish ballad at the drop of a hat. He relished the thrust and challenge of free speech made freer by those who were willing to match him drink for drink.
Twenty years later, Forkner encountered Burgess again at a state university in Nantes, France, where the former was teaching and the latter (again) visiting. Due to a scheduling mix-up, Burgess had to deliver a talk on Gerard Manley Hopkins in the morning, a speech on the history of film and literature at noon, and a lecture on T. S. Eliot in the afternoon (rather than spread them over two days). Anthony and Liana accepted the Forkner's invitation to dinner at their place, and the "exhausted" Anthony put on another performance to shame those two generations younger than he.
Hopkins, his favorite poet, was much on his mind that day. He had given a beautiful rendering of " The Windhover" in the morning lecture, from memory of course. After the omelette, and the third glass of wine, I asked him if he knew other Hopkin poems by heart. He began to recite the sonnets slowly. He knew them all. Before he began the much longer " The Wreck of the Deutschland" I asked if I could turn on a tape recorder. After two hours the tape ran out. Two hours later I finally drove Liana and Anthony back to the hotel. They were both wide awake and Anthony was singing one of the songs from "Blooms of Dublin," the musical he made of Joyce's " Ulysses."
The rest of the book's 380 pages are filled with the enlightening and eternally pleasureable prose of Mr. Burgess, divided into sections containing travelogues, topical essays, literary essays, and essays written on the occasion of various anniversaries. I'll confine my Burgessian extractions to this paragraph from an essay about France:
The English are accustomed to being jeered at by foreigners for their impossible diphthongs, their tongue-biting th, and their demented orthography. They remain good-natured about it. But dare to suggest that there is something wrong with the French language, and you have insulted national honor, trampled on the tricolor, and affirmed that all Parisiennes are whores (which they probably are, but I will not pursue the matter here). My little grumble about the reduction of the noble aqua to the trivial eau provoked a ten-page letter from the cultural attache of the French Embassy in London, in which I was accused of the regular British crimes - philistinism, chauvinism, ignorance, hypocrisy, and a love of bad cooking - as well as a desire to destroy the good Anglo-French relations which the cultural attache had devoted his diplomatic career to promoting. The French are a very sensitive people.
This collection is a good way to get acquainted with the late and great Mr. Burgess, especially if your only previous acquaintance was via the Kubrick film.
posted by Steven Baum 4/4/2001 10:50:08 PM | link

CONSERVATION OF ENERGY
There must be some sort of blogging conservation law going on here in Tejas. Just as I've gotten unconscionably lazy and intermittent about posting items lately, Craig at
BookNotes has more than compensated to ensure that the entire state reaches its official quota. Hell, I could delete half his recent output and the state would still reach quota. Give 'em hell, mate.
posted by Steven Baum 4/4/2001 10:31:54 PM | link

CHEAP WIRELESS NETWORK WITH LINUX
Schuyler Erle tells how to set up an 802.11b network on the cheap using commodity hardware and Linux software. If you've already got a desktop and a laptop lying around the house, then you can combine various Linux software with under $400 worth of additional hardware to create your own wireless LAN. The additional required hardware includes: The PC cards can be had for around $130-$150 apiece on the street, depending on the type of built-in encryption (although recent revelations might prompt one to look into using SSH tunneling for additional security), and the adapter can be had for around $60-$70.

It's assumed that the desktop machine already has some sort of link to the Internet via modem, cable, DSL, ethernet, etc., and that you're running Linux or some other sane operating system on it. From this point, you begin by installing the ISA or PCI (as circumstances require) adapter card in the desktop. Then, you plug one of the PC Cards into the adapter to complete the hardware configuration you need for your wireless gateway machine.

The software required for both the gateway and client machines includes:

  • a Linux kernel at version 2.2.18 or greater;
  • pcmcia-cs, i.e. the PCMCIA card services package including a set of drivers for various cards and a card manager daemon that supports hot swapping cards;
  • the wireless tools package for manipulating the wireless extension API for wireless LANs; and
  • the DHCP server or client daemons for assigning or accepting dynamic IP addresses.
A closely guarded secret that I probably shouldn't reveal is that the client machine doesn't have to be running Linux as long as it's running an OS with the capability of dynamically obtainining IP addresses. The rest of the gritty details can be found in Erle's article.

The ORiNOCO cards automatically choose a bandwidth of 1, 2, 5.5 or 11 Mbit/sec depending on signal quality, which itself depends on distance and the density of local obstacles. One estimate shows a maximum range of 500 m at 1 Mbit/s or 160 m at 11 Mbit/s for an open office configuration, as opposed 50 m and 25 m for a closed office, i.e. the transmissions will go through obstacles such as walls, desks, etc., although such passages significantly cut down on the range.

If you don't feel like fiddling around with software as much as the above indicates, ORiNOCO also provides other solutions, e.g.

  • a residential gateway that provides Internet sharing via Network Address Translation (NAT) and a built-in 56K modem providing Internet access via a phone line ($270);
  • self-standing USB clients that provide signals via your laptops USB port ($140-$160); and
  • so-called "access points" providing high-performance wireless bridges (starting at around $500).
So many neat toys and it ain't even near Christmas.
posted by Steven Baum 4/4/2001 07:38:50 PM | link

Tuesday, April 03, 2001

FAMILY TIES
While everyone else is obsessing about how horrible, evil Hugh Rodham is taking advantage of family connections to make a buck,
Louis Dubose of the Austin Chronicle is providing a pithy summary of well over a decade's worth of how the family name's enhanced the material well-being of the Bush boys. He starts with the sordid tale of Neil Bush who, while deliberately keeping a low profile for the last decade, is currently rounding up a big pile of venture capital around Austin to finance a software company. Dubose reminds us of what happened the last time Neil was allowed to play with real money:
In 1990, Bush paid a $50,000 fine and was banned from banking activities for his role in taking down Silverado, which actually cost taxpayers $1.3 billion. A Resolution Trust Corporation Suit against Bush and other officers of Silverado was settled in 1991 for $26.5 million. And the fine wasn't exactly paid by Neil Bush. A Republican fundraiser set up a fund to help defer costs Neil incurred in his S&L dealings. Friends and relatives contributed -- but not then-President and Barbara Bush, which would have been unseemly.
...
Bush wasn't just an average S&L exec drawing a big salary and recklessly pushing a federally insured institution beyond its lending limits. As a director of a failing thrift in Denver, Bush voted to approve $100 million in what were ultimately bad loans to two of his business partners. And in voting for the loans, he failed to inform fellow board members at Silverado Savings & Loan that the loan applicants were his business partners.
Being a Bush, Neil couldn't help but also saddle up the family name and head into oil territory:
Federal banking regulators later followed the trail of defaulted loans to Neil Bush oil ventures, in particular JNB International, an oil and gas exploration company awarded drilling concessions in Argentina -- despite its complete lack of experience in international oil and gas drilling. It probably helped that the Bush family had cultivated close ties with the fabulously corrupt Carlos Menem, former president of Argentina.

When JNB's rights and obligations were assumed by other investors, Neil tried to persuade another American oil and gas exploration company, Plains Resources, to invest in Argentina. Plains wasn't buying. But it was hiring, and picked up Neil as a consultant for its Argentine market.

After daddy became the Lion of Kuwait, Neil, brother Marvin, James Baker III and John Sununu joined the ex-president on a junket to Kuwait in 1993. While daddy was receiving an honorary degree, Baker was swinging deals for Enron, Marvin was fronting for U.S. defense contractors selling electronic fences to the Kuwaiti "Defense Ministry", and Neil was selling anti-pollution equipment to Kuwaiti oil contractors.

While those involved described this orgy of connection whoring as "just capitalizing on whatever good feelings exist," Dubose describes a 1993 report about it by Seymour Hersh in the "New Yorker":

Neil, according to Hersh, later returned to Kuwait and set up shop in the International Hotel in Kuwait City, where he tried to secure a management contract with Kuwait's Ministry of Electricity and Water. Neil's deal included foreign and Kuwaiti members of the Enron consortium, and would have had the Kuwaiti government paying a management fee to a Kuwaiti company that was owned in part by a private company set up in the Caribbean or some other tax haven. "The offshore firm would have various owners, in Europe and elsewhere, one of which would be a company in which Neil Bush had an interest," The New Yorker reported. The scheme was ingenious, a financial analyst told Hersh."If you looked at one of the contracts, how in the hell would you know that Bush was in it?"
Well, at least is wasn't something unsavory like a round of golf with Hugh Rodham. Dubose goes on to describe how Jeb Bush cashed in on a sweet deal selling agricultural pumps in Nigeria. Handyman Jeb lucked into a visit with Nigerian President Ibrahim Babangida, during which Jeb promised to pass on Babagida's wish to visit the White House to daddy. There's no mention of whether any rounds of golf were involved.
posted by Steven Baum 4/3/2001 08:11:48 PM | link


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