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Ethel the Blog
Observations (and occasional brash opining) on science, computers, books, music and other shiny things that catch my mind's eye. There's a home page with ostensibly more permanent stuff. This is intended to be more functional than decorative. I neither intend nor want to surf on the bleeding edge, keep it real, redefine journalism or attract nyphomaniacal groupies (well, maybe a wee bit of the latter). The occasional cheap laugh, raised eyebrow or provocation of interest are all I'll plead guilty to in the matter of intent. Bene qui latuit bene vixit.

The usual copyright stuff applies, but I probably won't get enraged until I find a clone site with absolutely no attribution (which, by the way, has happened twice with some of my other stuff). Finally, if anyone's offended by anything on this site then please do notify me immediately. I like to keep track of those times when I get something right.

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Saturday, July 29, 2000

PHOTOGENICS
The
Photogenics graphics package for Linux is quite an impressive tool, even to a non-artist like myself. The current 5.0 Beta binary release is freely available for experimentation, although it'll be a $99 product when it's officially released. Photogenics was first created by Paul Nolan for the Amiga platform five years ago, and now he and some others have ported it to Linux Intel platforms. The features include:
  • drawing new images or modifying old ones;
  • modifying the color, transparency, image processing mode, and the position of what you're working with in real time;
  • paint-on image processing wherein effects are applied by drawing with the large collection of media tools;
  • fading out mistakes via clicks of the right mouse button;
  • nearly 50 paint modes including AddColor, AddNoise, BizarrePixelize, BurnThru, ChannelFlip, Clone, ContourMap, Deinterlace, Emboss, Hardlight, MotionBlur, Paint, RadialBlur, Sharpen and Tint (with examples of each mode available online);
  • an unlimited amout of layers for image composition;
  • full multi-threaded design for faster operations;
  • advanced alpha channel support that allows the independent masking of the red, green and blue channels;
  • a text tool allowing text to be typed in a box straight onto any paint layer, with support for bitmapped and scalable fonts as well as anti-aliasing;
  • several color selection choices including five color choosers, RGB and HSV sliders, and support for 256 color sliders;
  • extensive file format support; and
  • a built-in screen grabber.
It seems quite the handy tool, although if you don't want to fork over the cash after it's officially released remember that the GIMP is and will always be open source software.
posted by Steven Baum 7/29/2000 11:00:27 PM | link

Friday, July 28, 2000

ROOTPROMPT
The many interesting UNIX documents that've caught my attention in just the last couple of days at the always interesting
RootPrompt. It's Slashdot with a hell of a lot less noise. I'm so impressed that it gets added to the very top of my TECH column to your left.
posted by Steven Baum 7/28/2000 11:11:06 AM | link

Thursday, July 27, 2000

MORAL DILEMMA?
The legal machinations on the Napster front are as predictable as they are futile given the ascendance of non-centralized alternatives like
Blocks, Hagelslag and Gnutmeg. Unless the gummintniks being well compensated by the RIAA transcend all bounds of reality and succeed in implementing a requirement for the permanent monitoring of all personal computers, that situation's going to sort itself out in the medium run. One interesting protest I've encountered more than a few times today is people refusing to buy any new CDs unless the RIAA backs off with the heavy-handed tactics. The moral dilemma of the title involves the fact that 9 out of 10 CDs I purchase are used, and if I hypothetically agree with and follow the boycott against new CDs, am I also obligated to cease and desist on the used CD front? Is the RIAA taint effectively removed once the original purchaser has forked over his or her double sawbuck, and am I therefore freed from the shackles of moral duplicity so I can continue to purchase the cast-offs of those silly enough to rid themselves of Blowzabella's "Pingha Frenzy" (live in Brazil) or Rare Air's "Primeval" and "Space Piper"? As an argument in my favor, I'll point out that it wasn't that long ago that the RIAA's holy crusade of the month was attempting to keep stores from selling any used CDs (with the obligatory pictures of starving artists being painted by their PR whores). All counterarguments will be pondered and immediately rejected the first time I see something juicy down in the $3 racks at Hastings.
posted by Steven Baum 7/27/2000 11:20:40 PM | link

BEG PARDON?
One of the legacies of Kenneth Starr's seemingly endless witch hunt was the number of victims he left behind. Many "have already paid the price - in depleted savings, lost careers, anguished families - grossly disproportionate to any misdeeds or errors of judgment they may have committed." Even a short account of the
legal bills accrued by Starr's numerous targets (a single appearance before a Washington grand jury costs between 5 and 10 thousand dollars, for example) should illustrate the point:
  • Susan McDougall - $850,000
  • Christopher Wade (one of the original Whitewater property developers) - $100,000
  • Herb Branscum Jr. and Rob Hill (owners of the Perry Country Bank in Arkansas) - $1.6 million
  • Sidney Blumenthal - $300,000
  • Monica Lewinsky - $2,000,000
  • Thomas McClarty (a former chief of staff) - $400,000
  • Marsha Scott (deputy director of presidential personnel) - $250,000
  • Maggie Williams (Hillary's former chief of staff), - $350,000
  • Evelyn Lieberman (an assistant to Williams) - $250,000
  • Marsha Berry (a secretary for Hillary who was mistaken for someone else who'd worked for her) - $30,000
You get the picture. Starr investigated and subpoenaed over 100 current and former White House officials along with around 250 people in Arkansas, with the total legal bill for all involved estimated to be around $30 million. This was in addition to the estimated $75-$100 million of taxpayer money he spent paying his legions of inquisitors. And if you like you can throw in another $50 million or so spent on four or five other investigations that came up with basically diddly on their principle targets.

"Oh hogwash!" you say. This is just another load of liberal claptrap and propaganda you're feeding us. Don't give us any of that "grossly disproportionate" bullshit. "Misdeeds or errors in judgment" my ass! These people broke the law and need to be put away for a long time, for what is justice if it isn't equally applied to all? Okay, okay, okay, I concede the point. I retract the enquoted phrase from the above, i.e. where many ...

have already paid the price - in depleted savings, lost careers, anguished families - grossly disproportionate to any misdeeds or errors of judgment they may have committed.
Now if we could just get Shrub the Elder to retract it, since it was a prominent feature of the 3 page memo he wrote to justify his 1992 Christmas Eve pardons of Monsieurs Weinberger, Clarridge, George, Fiers, Abrams and McFarlane, effectively deep-sixing the Iran-Contra investigation of Judge Lawrence Walsh - who was of course excoriated by the kooky right for not coming up with any charges against those who'd been pardoned.

About four years ago I was discussing the Whitewater investigation with some local chaps at one of my favorite watering holes, and when the topic of Iran-Contra surfaced one of them attacked Walsh for coming up with nothing. I reminded him of the pardons, and he devastatingly riposted by telling me to just wait and see how many people Clinton's going to pardon. One of my small joys in life these days is, whenever I run into him and he says hello, cupping my hand to my ear and saying, "Pardon?"
posted by Steven Baum 7/27/2000 10:37:44 PM | link

THE ART OF FUGUE
Pipedreams, the MPR show featuring organ music, recently gave J. S. Bach's Art of Fugue quite the verbal workout. It was written in his last years, is considered the definitive expression of the fugal form, and is as close as you'll find to a real controversy surrounding old J. S. The controversy? Well, it...
... trails off unfinished in the climactic four-part fugue which would have crowned the work as well as his career. And woven inside it, musical notation spelling out his name . . . B A C H.

Of such things are legends born, and scholars and performers have been arguing about it ever since. When did Bach actually write Art of Fugue? Did he intend it to be played and listened to for pleasure, or is it an "abstract" work of interest only to music scholars? Did Bach's failing health account for the unfinished movement, or is it Bach's idea of a musical puzzle?

They take a whack at each of the questions as well as offer tutorials (with sound samples) of types of fugues. The Pipedreams site offers other goodies such as many full page pictures of big, naked organs.

Related links include:


posted by Steven Baum 7/27/2000 04:45:57 PM | link

BACH. AAAAAAAAHHHH.
New digital library unites Bach's work in today's NYTimes tells us that our beloved digital age has solved a knotty problem concerning the original manuscripts of Bach. It seems that not only is access severely limited to the most serious and privileged of scholars (with even that elite limited to viewing black and white microfilm copies due to the age and fragility of the manuscripts), but the manuscripts were scattered across more than half a dozen archives after WWII (e.g. one part of the Well-Tempered Clavier is in the Staatsbibliothek in Germany and the other part in the British Library in London). Tomorrow (7/28/00) the Bach Digital Library will begin allowing access to versions of the manuscripts scanned and digitized from color photographs. Low resolution versions of the scanned manuscripts will be available to all, but they'll apparently require that a request be filed to view the highest resolution versions. Maybe somebody should email them that bits don't get yellow and crumbly.

To get things started tomorrow, the site will ...

...post the digitized image of the 180-page score of the "Mass in B-Minor" while television and radio stations broadcast a performance of the masterpiece from the Thomaskirche, one of four Leipzig churches that Bach provided with music from 1723 to his death in 1750. Listeners will be able to follow along in the score.
They also plan to have MP3 streaming capabilities so the versions of pieces under different conductors can be compared. More information about that fine tunesmith J. S. can be found at the J. S. Bach Home Page, although I hear he sticks to decomposing and leaves the coding to the usual backwards-hat-wearing, skateboard riding, bleeding edge d0000ds.
posted by Steven Baum 7/27/2000 09:02:19 AM | link

Wednesday, July 26, 2000

POLITICAL QUIZ
What does Dick Cheney have in common with Elliott Abrams, Dick Armey (don't say that too many times or you'll get a really disturbing mental image), William "I'm so fucking moral it hurts" Bennett, Pat "kill the fags" Buchanan, Tom DeLay, Newt Gingrich, Phil Gramm, Jack Kemp, Rush Limbaugh, Trent Lott, Kenneth Starr, John Wayne, Vin Weber and George Will have in common that Richard Gephardt, David Bonior, Tom Daschle, Al Gore and Jonathan Winters don't? All the former
chickenhawks sought and received deferments from military service while all the latter didn't (Winters was a Marine, by the way).

The military service credibility schtick - a really, really big deal when Clinton was running for office - seems to be no longer such a pressing issue amongst the shrieking heads. Military and foreign policy (same thing, really) street cred is now automatically granted to any apparatchik - no matter how minor - who performed the requisite sabre rattling during the Reagan/Bush era. Even the non-shrieking heads are babbling incessantly about how Shrub, Cheney, a hypothesized Colin Powell in the Cabinet, and another handful of simpering toadies like Richard Perle are going to constitute some sort of ninja master foreign policy squad.

Their true talents can be found, for instance, by comparing any account they've written on the bombings of Yugoslavia, Iraq, Afghanistan and Sudan during the Clinton years to their accounts of the bombings of Libya and Iraq and the invasions of Grenada and Panama during the Reagan/Bush years. Any and all of the former are inevitably either smokescreens to mask unpleasantries on the domestic scene or the ill-advised (if not downright evil) misuse of sacred military power in a situation where the life and death of the commweal is not at stake. On the other hand, Reagan's serial bombings of Libya were strategically brilliant brushstrokes by the Rembrandts of foreign policy. Indeed, even after the evidence against Libya was shown to be as weak as that against Syria was strong, it was still spun as a masterful way to "send a message" to the current Hitler of the Century of the Week. Equally masterful was the invasion of Grenada which, although undertaken less than a week after the bombing death of 240 U.S. troops in Beirut, was an unavoidable defensive action to protect American soil and citizens rather than a feckless misuse of the military to get the poll numbers back up.

Basically, the same group of people who painted a picture of Khaddafy as the ant-christ and found any excuse given to bomb Libya powerfully compelling - no matter how weak or thin the evidence - since he was, after all, a well-known terrorist figure, found the bombing runs made on Osama bin Laden's bases in Afghanistan and Sudan (in supposed retaliation for U.S. embassy bombings in Africa) horribly wrong and nothing more than smokescreens attempting to obscure the President's domestic problems. By the way, many people in this same ex-cold warrior group are also card-carrying members of the counter-terrorist brotherhead that regularly churns out reams of fearmongering screeds about the latest and greatest evil dark-complected people out to get our chilluns, and you'll never guess who's been at or near the top of their boogeyman lists for over a decade - that's right, our man Osama, who was the embodiment of evil until the greater evil called Clinton deprived him of his civil rights.

And what foreign policy expertise has Shrub's cadre of cold warriors exhibited other than the aforementioned spinning vis a vis who's wagging whose dog? Well, they want to piss more money away on a missile defense system than Clinton has and, of course, they're going to ride bigger, whiter horses while exhibiting grimmer looks of determination, wearing darker suits, mumbling more apocalyptic warnings, and carrying bigger sticks (to be thrown at the Hitler Flavor of the Month when the poll numbers decline). Masterful, that. Whenever I hear these idiots braying I feel the need to let forth with a loud, nasty fart to inject an element of the rational into the discussion.
posted by Steven Baum 7/26/2000 10:46:08 AM | link

PSTOEDIT
An ancillary program used by the just previously described
ImPress is pstoedit, which translates PostScript and PDF graphics into other vector formats. It can currently generate: The pstoedit package consists of a PostScript front-end that needs to call a PostScript interpreter (almost inevitably Ghostscript on UNIX systems) , and individual back-ends plugged into a framework developed for such things. An online manual is available. Hmmm, I seem to have a gratuitous link jones going here.
posted by Steven Baum 7/26/2000 10:11:42 AM | link

IMPRESS
ImPress is a WYSIWYG layout program designed especially for Linux. It is written using Tcl/Tk and can be used to create presentations and PostScript documents using fully scalable graphics, i.e. it is not a raster graphics package like, for instance, GIMP but instead deals with graphical objects which can be manipulated on a canvas rather than just layers of paint. The features of ImPress include:
  • a selection of shapes including ovals, rectangles, polygons and rounded rectangles;
  • freehand, multi-segmented and arrow lines;
  • a configurable color palette and separate fill and outline colors;
  • separate horizonal and vertical moveable rulers with position hash marks;
  • transformations including duplication, axis flipping, scaling and rotating;
  • grouping hierarchies;
  • multi-page PostScript printing to a file or device;
  • auto scaling for presentations;
  • templates for including objects on every page;
  • raster image inclusion including GIF, PNM and others;
  • dynamic font lists;
  • web browser embeddability via the Tcl Plugin to enable editing, saving and printing from within a browser;
  • web-based slide shows via the previous feature; and
  • Tcl/Tk version-independent output.
Check out the online documentation for version 1.1beta for further details. The author doesn't guarantee that 1.1beta will work on Win32 systems on which Tcl/Tk has been installed, although it works just fine on my Linux boxes. Sure, it ain't Adobe Illustrator, but it's free and it works on Linux.

Freely available competitors on the Linux platform with lesser or greater features include Sketch, KIllustrator, tgif and xfig, all of which defeat your humble narrator's attempts to create anything aesthetically pleasing due to a primarily verbal modus operandi (a fact many have undoubtedly sussed out by now).
posted by Steven Baum 7/26/2000 09:39:51 AM | link

Tuesday, July 25, 2000

METASTUFF
The usual bits and pieces pilfered from elsewhere, since everybody else is doing such a great job and, more to the point, I'm not feeling up to the writing thing tonight.

posted by Steven Baum 7/25/2000 10:01:07 PM | link

A LIVABLE RUT
After a little over a year of getting back onto the ultimate frisbee horse, I've finally reached a comfortable plateau. I can play twice a week for an hour to an hour and a half, even in the current 90-100 deg. heat we experience between 6 and 8 PM here in Texas (the drought state). Even the morning after has leveled off to a livable level. While six months ago I'd wake to a painful crawl to the shower, today all I have to put up with is a bit of nonresponsiveness in the leg area along with some non-vanishing although not agonizing pain, and the next day I'm back to the normal aches and pains of a two-score-and-one chap and ready for a trip to the gym to repair some damage. A heartening recent development is the reappearance of a few folks I used to play the game with back in the late 80s. It's amazing what some subtle constant nagging over 6 months can do. Last Sunday we all all ganged up up one side and were kicking the young 'uns around in a big way until, strangely enough, we started to fade in the second hour. That problem should clear up when I perfect that pituitary extraction process I've been working on for several years, though. There's plenty of youngsters hereabouts for "enrollment" into the program. I'd like to proudly boast my hypocrisy about despising the young now that I'm not, and I would except that to be truthful about the matter I didn't much like them when I was young, either. Older dogs don't much like young bipeds, either. Yet another reason to prize those fine, fine quadrupeds.
posted by Steven Baum 7/25/2000 09:50:05 AM |
link

Monday, July 24, 2000

NAWAPA
The North American Water and Power Alliance Project (
NAWAPA) was conceived in the early 1950s by Donald McCord Baker, an engineer for the Los Angeles Department of Water and Power. After he told his friend Ralph Parsons about it, the head of one of the top five engineering firms in the world - a company that profited mostly from designing the dams and aqueducts that helped transform California from a semi-desert into one of the ten richest countries in the world - fell in lust with the idea and created the NAWAPA Foundation. The Foundation's goal was to convince unappreciative bastards like, e.g. Marc Reisner and Edward Abbey of its beneficial, inevitable and, indeed, almost holy nature. We lost Edward over a decade ago now and Marc, as I sadly just learned via dumbmonkey, last Friday.

In his modern classic Cadillac Desert: The American West and Its Disappearing Water (1986), Reisner devoted his epilogue - after 500 pages about the schemes and schemers who'd spent the largest part of the 20th century bringing water (to many) and mind-boggling wealth (to few) in the American west at the expense of all taxpayers - to the most grandiose water scheme yet conceived (but fortunately not brought to fruition). First, the plans:

Visualize, then, a series of towering dams that are 800, 1,500, even 1,700 feet high. Visualize reservoirs backing up behind them for hundreds of miles - reservoirs among which Lake Mead would be merely regulation-size. Visualize the flow of the Susitna River, the Copper, the Tanana, and the upper Yukon running in reverse,, pushed through the Saint Elias Mountains by million-horsepower pumps, then dumped into nature's second-largest natural reservoir, the Rocky Mountain Trench. Humbled only by the Great Rift Valley of Africa, the trench would serve as the continent's hydrologic switching yard, storing 400 million acre-feet of water in a reservoir 500 miles long. The upper Columbia and Fraser, which flow in opposite directions in the Rocky Mountain Trench, would disappear under it. Some of the water would travel east, down the Peace River - which would be remade and renamed the Canadian-Great Lakes Waterway - all the way to the Great Lakes and the Mississippi. It would be enough to raise the level of all five lakes, double the power production at Niagara Falls and down the St. Lawrence, and allow some spilloever into the Illinois River and the Mississippi, permitting ocean freighters to reach St. Louis and providing a fresher drinking supply for the cities now withdrawing carcinogenic wastes from the river. The rest of the water would go south.
Hot damn! Talk about win-win synergies! In the words of Gary Gilmore, let's do it! But wait a second. In the spirit of democracy and all that rot let's hear what the negative nellies have to say. After all, they're voting citizens too ... for now. Then we can get back to riding the throbbing organ of progress into a future so bright we have to wear welding goggles. Screw those wimpy shades.
Every significant river between Anchorage and Vancouver would be damned for power or water, or both - the Tanana, the Yukon, the Copper, the Taku, the Skeena, the Stikine, the Liard, the Bella Coola, the Dean, the Chilcotin, and the Fraser. All of these have prolific salmon fisheries, which would be largely, if not wholly, destroyed. (Since the extirpation of around 90 percent of the Columbia's salmon runs, the Fraser, the Stikine, and the Skeena have become the most important salmon rivers on earth.) In the western United States, the plan would drown or dry up just about any section of wild river still left: the Flathead, the Big Hole, the Selway, the Salmon, the Middle Fork of the Salmon, the Yellowstone, the Madison, the Lochsa, and the Clearwater would largely disappear. In Canada and the U.S. alike, not just rivers but an astounding amount of wilderness and wildlife habitat would be put under water, tens of millions of acres of it. Surface aqueducts and siphons - not to say hundred-mile reservoirs - would cut off migratory routes. Hundreds of thousands of people would have to be relocated; Prince George, B.C., population 150,000, would vanish from the face of the earth.
So what are the realistic chances of NAWAPA ever getting built? From the 50s through the 60s it was quite seriously discussed, even getting to the point of exploratory discussions between Secretary of State Dean Rusk and Canadian officials. The plan seemed to be gaining momentum until the early 70s when both the environmental movement and Canadian nationalism said "NO!" in a big way. The former for the obvious reasons and the latter because in any remotely realistic cost-benefit analysis Canada would be paying most of the first and getting very little of the second.

In the last twenty years NAWAPA is seldom spoken of by the sane in any context other than the classroom (where I first heard of it in 1978) or in Guiness-like compendiums of really, really big engineering plans that never came to fruition. Why? The days of bullshit cost-benefit analyses are fast fading, and people are going to have to start paying real money for real water, especially those who farm in what are in effect semi-deserts. The latter get well over 90% of the water we've spent 100 years and billions of dollars diverting to southern California, and they pay little more than nuisance fees for it. Converting to much more rational alternatives like the drip irrigation systems pioneered and perfected by the Israelis will not only conserve huge amounts of water (which can be then be used for non-agricultural purposes by more people), but will slow down the steadily increasing salinization of the richest agricultural lands in California - a problem with no easy solution now or in sight.

There is nearly always more than a single solution to most problems, and perhaps we're getting to the point where alternative and often better solutions can actually be seen through the misty-eyed dreams of bigger and bigger monuments to the twin gods Ego and Hubris. Marc Reisner spent a sadly shortened lifetime detailing the consequences of such religious practices. He and Ed may no longer be with us, but their inner Haydukes will never die - nor will mine. It's only fitting that I end where Marc began:

I met a traveller from an antique land
Who said: Two vast and trunkless legs of stone
Stand in the desert ... Near them, on the sand,
Half sunk, a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed:
And on the pedestal these words appear:
"My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!"
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare
The lone and level sands stretch far away.

Goodbye, Marc, and thank you.
posted by Steven Baum 7/24/2000 09:36:28 PM | link


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