MARGINALIA
The
Marginalia section of the
Octavo
publishing site covers "aspects of authorship, conservation,
and book design and construction."
It also contains some delectable prose, e.g. the following
history of
abbreviations:
There are three periods in the fossil record of the Abbreviation. First comes the
Paleozoic age of manuscript, where every literary task was laboriously performed by
hand, often on costly materials, and abbreviations abounded to save space and time. This
was followed by a transition period of print, with cheaper labor and materials, a single
printer doing the work of a scriptorium of scribes, and paper replacing parchment. Finally,
there is the present age of mass extinction where words are mechanically "processed"
and computer software not only obligingly corrects distinctive spellings, leveling them
down to an authoritarian norm, but impudently expands supposed abbreviations. Such
casual or familiar openings as "Dear M" are metamorphosed into "Dear Mom and Pop,"
almost enabling the computer itself to write home on behalf of the busy student.
There are similarly delicious sections on
bookworms (the kind that devour books in the non-figurative
sense),
catchwords and signatures (devices to ensure the proper
ordering of multiple pages printed on single large sheets),
chromolithography (the dominant color printing process of
the 19th century),
illuminated manuscripts (before Edison),
etching (an art form of which I can't get enough, although
Dover's done a fine job of feeding my obsession),
foxing (the study and description of discolorations and spots
found in older books),
historiated initials (those huge, decorative capital letters that
demarcate the sections in many old books),
music printing (problems unique to early music printing),
Why Latin? (with the glib answer being "because the
Carthaginians lost") and
woodcuts (even more voluminous drool on this end).
Octavo's raison d'etre is to "publish rare books,
manuscripts, and antiquarian printed
material in technologically advanced
digital formats."
Their (in the words of the bean counters) deliverables take the
form of CD-ROMs containing very high resolution images
(up to 10,600 x 12,800 pixels) of
each page in a manuscript along with various extras such as
live electronic text, complete English translations, bibliographic
descriptions, and commentaries.
The prices range from $25-$40 per CD (with the occasional
multiple set), and a subscription service is available.
If you're looking for a rare book and can't afford the obscenely
high prices to which speculators have driven many of them, then
you might want to take a gander at their
collection.
Robert Hooke's (called by some
England's Leonardo)
Micrographia sure looks mighty tasty to me.
posted by Steven Baum
7/7/2000 03:24:20 PM |
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