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Ethel the Blog
Observations (and occasional brash opining) on science, computers, books, music and other shiny things that catch my mind's eye. There's a home page with ostensibly more permanent stuff. This is intended to be more functional than decorative. I neither intend nor want to surf on the bleeding edge, keep it real, redefine journalism or attract nyphomaniacal groupies (well, maybe a wee bit of the latter). The occasional cheap laugh, raised eyebrow or provocation of interest are all I'll plead guilty to in the matter of intent. Bene qui latuit bene vixit.

The usual copyright stuff applies, but I probably won't get enraged until I find a clone site with absolutely no attribution (which, by the way, has happened twice with some of my other stuff). Finally, if anyone's offended by anything on this site then please do notify me immediately. I like to keep track of those times when I get something right.

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Friday, April 07, 2000

TONIGHT'S OTHER ENTERTAINMENTS
Other LPs I've played tonight after their decade-long rest are:
  • "Jazz", Ry Cooder's affectionate salute to early jazz pioneers including Joseph Spence, Bert Williams and Bix Biederbecke;
  • "The Very Best of Stephane Grappelli", a 1980 Picc-A-Dilly release that includes "Django", "Nuages", "Le Tien", "Minor Swing" and other classics but, maddeningly enough, no information about who else played;
  • "Oshumare", a Billy Hart (relatively obscure bop drummer) album from 1985 featuring early performances by Bill Frisell, Branford Marsalis and Kevin Eubanks;
  • "Percussion Profiles", a recondite ECM disc from 1978 featuring Jack DeJohnette and five other percussionists performing a six movement percussion suite; and
  • "Duke Ellington, 1938-1940", a six LP set I picked up in 1990 for $10 which covers Ellington's most prolific and memorable period.
By the way, even if you're not a jazz fan and stumble across a
Grappelli LP or CD in a used music shop go ahead and grab it. He was just too damned good not to like.
posted by Steven Baum 4/7/2000 12:05:03 AM | link

Thursday, April 06, 2000

BONDING
While flipping through my 1200-piece vinyl collection tonight in anticipation of getting my badass mofo turntable early next week I just had to pull a few out and listen tonight. Chief amongst these was an LP produced in France called "James Bond's Greatest Hits" on which everything is printed in English except for the titles of the films. The contents:
If you don't feel like digging up a CD or LP for yourself you can find Bond theme MP3s. You can also find out more than you could possibly want to know about each soundtrack at the James Bond Movie Music site. And if you really want to track down the music then check out the Bond music overview at www.ianfleming.org.

This entry brought to you by Guiness Pub Draught (in the can) rather than the more appropriate and traditional "shaken not stirred" beverage, but only because I'm out of Bombay Sapphire.
posted by Steven Baum 4/6/2000 11:37:11 PM | link

MARXISM IN PRINT
The
Marx Brothers in Print site has scanned in the covers of everything related to the Marx Brothers that's ever seen print. Some of the spiffier bits include:
  • seven different covers for Harpo's book Harpo Speaks,
  • the covers of 26 Marxist LPs including a recording of "The Mikado" with Groucho in the title role (for which I'd give my left cojone),
  • a Why a Marx?page devoted to "all kinds of things that feature a Marx Brother or 4, but in actual fact have little, if anything, to do with any of the Marx Brothers or their work",
  • a Zeppo with with nothing but a plea for something to put there, and
  • a collection of lyrics including "Hooray for Captain Spaulding" and "Hymn to Freedonia".
These folks have done a marvelous job. Send them kudos and beer.
posted by Steven Baum 4/6/2000 11:17:28 PM | link

TURNTABLE LUST
Some interesting, unusual and downright breathtaking turntables can be found in the
Turntable Lust section at Enjoy the Music. We'll start out with what is the most advanced and controversial turntable yet built, i.e. the ELP laser turntable. That's right, this puppy uses separate lasers to read the left and right tracks and can play discs with significant warpage (5-6 mm).
ELP laser turntable

For the retro folks, our next feature is the Auto Mignon, a turntable designed to play 45 RPM discs in automobiles.

ELP laser turntable

Now we move on to a turntable that would satisfy even Fred Flintsone. The Walker Audio Proscenium Gold Signature model is constructed partially of marble and lead. The platter weighs 70 lbs. with the entire system tipping the scales at 245 lbs. This is a turntable that could be used for hand-to-hand combat.

Walker marble turntable

Finally, we have the Simon Yorke Designs S7 professional archive model, designed and hand-crafted for use by the National Library of Congress. (Note, by the way, that Simon leaves no room for doubt with his domain name "www.recordplayer.com".) The picture shows it with a special 20" tonearm for playing 20" transcription disks, although you can also see the usual 12" tonearm on the right.

Simon Yorke transcription turntable


posted by Steven Baum 4/6/2000 11:19:33 AM | link

CHEAPER BY THE HUNDREDWEIGHT
A few more pretty good reasons for obtaining at least an entry-level audiophile turntable (all of which are in excellent condition according to an eye well-practiced on over 1000 discs):
  • "The Great Operettas of Gilbert and Sullivan", Gilbert & Sullivan Festival Chorus and Orchestra, Peter Murray, conductor, 8 discs, $12
  • "Mozart: All the Concerti for Piano and Orchestra - Brendel, Frankl, Klien, Haebler and Galling", 12 discs, $20
  • "Reader's Digest All-Star Jazz Festival", 8 discs, $10
  • "The Story of Great Music: The Early 20th Century" (with Bartok, Berg, Gershwin, Milhaud, Prokofiev, Schoenberg, Stravinsky, Villa-Lobos, Webern), 4 discs, $7
  • "Instruments of the Middle Ages and Renaissance", David Munrow and the Early Music Consort of London, 2 discs, 80-page companion book from Oxford Press, $7
Whilst perusing my vinyl collection in a platonic way I ran across my copy of Ry Cooder's
Bop Till You Drop. It sounds pretty good even on my old Technics SL-D2 on which I occasionally have to readjust the pitch (another reason to get a better table). This classic, which is well worth picking up in any format, features Cooder and David Lindley on guitar, Jim Keltner on drums, Tim Drummond on bass, and various other folk (even Chaka Kahn on "Don't You Mess Up a Good Thing") to round out the recording. The editorial review on Amazon says to "File between Zappa and Little Feat." That's about right.

One reason this album sounds so good even on vinyl on a low-end turntable is that it was one of the first digital recordings. I recall it being advertised as the first digital recording of a non-classical album. It states proudly on the back of the cover that:

This album was recorded on 3-M multi-track digital equipment which, rather than "modeling" sound into magnetism in the mode of conventional analog machines, samples sound at the rate of 50,000 times a second and records its characteristics numerically. Digital equipment can encode and play back from 20 cycles to over 20,000 cycles without noise and harmonic distortion produced by analog recordings.
This seems kind of quaint in the context of the 20 intervening years of the digital revolution, but it was quite a sensation at the time, what with the advent of widely available CDs and players at least 5 years away.
posted by Steven Baum 4/6/2000 12:20:25 AM | link

Wednesday, April 05, 2000

TURNTABLES AREN'T JUST FOR MICROWAVES
The stereo system upgrade continues. I snagged a
Linn Axis turntable with a Sumiko Blue Point cartridge and Linn Basik LV X tonearm on ebay tonight. For a while I toyed with the idea of getting a CD recorder to transfer my 1200+ pieces of vinyl to the digital medium, but after reading various opinions I realized that to do that right would require a high-end CD recorder, A/D converter, and turntable. But, with a sufficiently good turntable/cartridge combination one can get very good sound out of the vinyl without going through the lengthy process of digitization and transfer to another medium which, given the equipment I could afford (i.e. not $25K A/D and recorder combinations) would prove to be a lossy process anyway.

Some sites that have been helpful during the decision process include:

To be a bit more accurate, all the above sites save the last were helpful in the way of making a decision, with the last helpful in producing a voluminous amount of drool for equipment I couldn't afford even if I were the main coke supplier for the entertainment industry. I'll leave you three of the more stunning examples of industrial art I've seen.

Clearaudio Master Reference

Clearaudio Master Reference

La Luce Centoventi

La Luce Centoventi

Yamamura Churchill

Yamamura Churchill

posted by Steven Baum 4/5/2000 10:04:39 PM | link

EVIL LIBERAL MEDIA PROPAGANDA
So I learn from
Michael Moore (via Looka) what the supposedly evil liberal mainstream media has thus far failed to tell me about Elian Gonzalez, i.e.:
You are being told that your mother died trying to bring you to freedom. I am so sorry to have to tell you, that's not true. The Cuban court granted your father custody of you, and your mother decided to kidnap you. She placed your life in horrible jeopardy by putting you in a leaky, overcrowded raft that eventually sank, killing everyone except you and two others. History is filled with many people who risked their lives escaping to another country because, had they stayed, they would have been imprisoned or killed.

That's not what happened in the case of your mother. Her life was not in jeopardy. Her son -- you -- was in no danger. The worst that could be said is that, in Cuba, you were in jeopardy of receiving free health care whenever you needed it, an excellent education in one of the few countries that has 100% literacy, and a better chance of your baby brother being born and making it to his first birthday than if he had been born in Washington, DC.

The truth is your mother and her boyfriend snatched you and put you on that death boat because they simply wanted to make more money. I can understand why they wanted a better life. Cuba is a poor country. America, from 90 miles away, looks like a rich country. The majority of people who have sailed to this country in the past have come for the same reason. Often, they have come because they did not like living in a country, such as Cuba, where you cannot freely elect your president and your basic rights are limited. I can understand that.

But your mother placed you in a situation where you were certain to die on the open seas (as most of the rest did) and that is unconscionable. It was the ultimate form of child abuse, and I see now why the Cuban judge did not give your mother custody.

The mainstream media (and of course the reactionary looney-tunes on Fox "News" and even nuttier outlets) have spent the last couple of months framing this issue in the context of "sure his father deserves legal custody but evil, vicious, babykilling Fidel will make his life a living hell in Cuba." (Well, at least until it can be returned to its rightful owners, e.g. the descendants of Meyer Lansky.) And since his mother supposedly died for his sins (and probably ours, too), we shouldn't let her sacrifice go to waste.

But mom wasn't a hero. She was simply a kidnapper who recklessly endangered her son. And the rabid Cuban expatriate community in Miami is ready to start a frigging war over this. And the politicians are sucking up to them. Even the Democrats, who don't and never will have a snowball's chance in hell of carrying that vote.
posted by Steven Baum 4/5/2000 11:30:05 AM | link

THE TRUTH IS DYSFUNCTIONAL
I should've known better when I nearly took seriously the
Negativland quote featured on the now defunct Subterranean Notes. I'll repeat the excerpt from their True/False Tour page since it's such fun reading:
Negativland is about to call it quits. One member is now in federal prison for hacking into classified DieCorp think tank documents. Another has become a Native American casino consultant in the Southwest and wants nothing more to do with "low paying alternative music." The band's drummer recently gave up sticks and skins for a more lucrative life of insider day trading. The Weatherman now installs customer satisfaction monitoring equipment full-time for Global Cable, Inc. and has no further desire to "create" anything. Crosley Bendix, the group's longtime senior mentor and cultural advisor, has left the United States for good to spend his twilight years at a mechanical drawing table interpreting crop circle formations for MI5 in England. His final words on these shores were, "music is basically dead. I'm not going to waste any more time on it." It looks like the slow, agonizing demise of Negativland has finally reached fruition after so many years of trying.
This is immediately followed by:
TRUE OR FALSE?

Well, like everything else you have to read these days, it's difficult to tell. There may be some grains of truth in the above "information," but where exactly are those grains located? (Answer available only from Negativland's currently-out-of-business address.) The only truth you can be sure of is that nothing characterizes our over-informationalized society more than our collective inability to personally verify anything. And the spinning just keeps spinning faster.

I've highlighted my favorite bit towards the end. I see they're going to be at Stubb's BBQ in Austin on May 16. I may have to at least attempt to get off my usually inertia-free ass long enough to catch that, with the additional bait of going to Austin and snarfing good BBQ hopefully providing just enough incentive. By the way, while you're on the True/False Tour page you might want to reload it a few times since the letter on the left changes each time.
posted by Steven Baum 4/5/2000 10:55:27 AM | link

ABIT MORE
In my piece on the ABIT BP-6 dual-processor motherboard I neglected to mention that they've put together their own Linux distribution.
Gentus Linux is designed specifically to take advantage of the features of ABIT motherboards. According to their own propaganda blurb:
The ABIT Gentus package features the latest stable kernel with full native support for multi-processing, and drivers and patches all together. With Gentus we have really gone out of our way to make it easy to set up and install. Specifically we have added direct support for UDMA/ATA/66 drivers so that you can install directly to an ATA/66 drive, with a fixed driver and driver optimizations for UDMA66. Previously, users had to first install in the ATA/33 mode then later switch over to the ATA/66 channel. With our software enhancements to the Linux kernel that has all been obviated and the process is much more smooth. With Gentus there is even auto recognition of ABIT motherboards to suggest which pre-built kernels a user might want to install in X-WIN GUI mode such as KDE OR GNOME. Many software distributions only offer one of those. Software RAID that is compatible with UDMA/66 IDE is supported and is directly installable to and bootable from RAID at the setup menu of the 1st CD. Gentus also features flexible HD partitioning and pre-configuration as well as the afore mentioned installation to IDE drive on UDMA/66 from a bootable CD.
They've also got a feature called the PerMon Tool Set whose capabilities include:
  • interactive benchmarking of IDE performance;
  • interactively or automatically changing driver parameters to fine tune IDE drive performance;
  • RAID performance benchmarking and tuning; and
  • monitoring of fans and CPU temperature.
The only painful bit is you have to download the 650 Mb distribution in ISO-9660 image format and burn it onto a CD for convenient usage. Stay tuned for further details as I get my mobo in a few days and attempt to install this puppy.
posted by Steven Baum 4/5/2000 10:21:02 AM | link

REPENT, HARLAN!
Having picked up Christopher Priest's
The Prestige recently (and, predictably enough, found it very good so far), I'm reminded of Harlan Ellison's "Last Dangerous Visions", i.e. "the book that was never to be." Howso, you ask? Well, Priest was the author of a notorious diatribe that first appeared on the web with the title "The Last Deadloss Visions: An Enquiry Into the Non-Appearance of Harlan Ellison's 'The Last Dangerous Visions'", a piece which was eventually transmogrified into The Book on the Edge of Forever. As a matter of fact, in 1998 Priest sent emails to web sites actively seeking to have all copies of the original removed. (You can still find it hiding in a couple of places if you look hard enough.) Anyhow, the gist of "Deadloss" was a bashing of Harlan for the non-appearance of LDV, a book promised in the early 1970s which has never seen the light of day and which most likely never will.

I've been reading Harlan's stuff since about 1971 and can truthfully say that he's in the top 10 of writers who've given me the most pleasure in the last three decades. Probably the first thing of his I read was his introductory material to the first "Dangerous Visions", followed soon after by everything upon which I could lay my grubby little fingers back in a small rural town in central Ohio in the early 70s (which, by the way, was nearly identical to Harlan's background but for the small matter of a couple of decades). Just a few weeks ago I added a new regret to the very small list I've internalized when I was too goddamned hungover to drag my sorry ass to see and hear the supremely marvelous raconteur Harlan speak at this year's Aggiecon sciffy convention. A fellow hungoverite did manage to make it and that bastard will undoubtedly never let me forget it.

Be that as it may, I come not to condemn Harlan but to praise him. Sure, he's got that one frigging albatross, but methinks the 50 or so soaring eagles he has managed to see into print provide more than an adequate counterbalance. If you've not read the man, then do so; if you have, then read more, dammit!

Other takes on the LDV controversy available for perusal on the web include:


posted by Steven Baum 4/5/2000 12:35:24 AM | link

Tuesday, April 04, 2000

MOMMA'S GOT A SQUEEZEBOX
Tonight's music is brought to me courtesy of the folks at
Ellipsis Arts in the form of their Planet Squeezebox compilation that I picked up for a song down at the local Half Price. My interest in such things was piqued in the early 90s after I picked up albums by both Esteban "Steve" Jordan (called the Jimi Hendrix of the accordian) and Brave Combo, both of whom are represented on this fine three-disc set. The 51 artists/selections therein exhibit a tremendous variety of musical styles expressed through the instrument invented and patented (on May 23, 1829) by Zyrill Demian, a piano and organ maker in Vienna, Austria.

The popularity of the new instrument grew explosively and immediately. As the booklet included in the package tells us:

The new instrument's popularity was a result of its unique qualities. Firstly it was much louder than all the older folk instruments put together. It could easily be heard in even the wildest pub above the stomping of dancing feet. It was also the prototype of a "one man band" with bass and chords on the left hand side and buttons for the melody on the right, and you could still sing along and beat the rhythm with your feet. The instrument needed no tuning and was always ready to play, but the most ingenious thing about the early one row squeezebox was that you couldn't play it really badly. Even if you lost the melody it still sounded fine.
Although there are many who will disagree with that last bit, and continue to aver that the accordian (along with the bagpipes) sounds and looks like a small animal being tortured, there is an amazing variety of music that has arisen in the 170 years since its invention by Demian. There's much more to it than Americans of Polish descent devouring sausages and guzzling beer (aahhhhhhhhhh!) while bouncing around to endless renditions of the "Beer Barrel Polka" until they finally fall flat on their utterly soused faces (although John Candy et al. did an entertaining job of portraying that sort of thing), as I found out the first time I attended a Brave Combo show here in Bryan (and eventually fell flat on my extremely soused face).

If you can't find the whole set for the sawbuck I plunked down and don't want to spring for it retail, they've also got a single disc "best of" collection culled from the full set. It'll be a refreshing change from the gigabytes of angst-ridden alternative albums being pinched off all too often by James Dean wannabees who probably don't even realize they're James Dean wannabes. Squeezebox Box sez check it out.
posted by Steven Baum 4/4/2000 11:44:22 PM | link

THE SALMON MOUSSE!!!
Having discovered the pleasures inherent in smoking (and of course eating) salmon last year, and having extended my repertoire from whole frozen to whole fresh ones this year, I decided to take a look-see at what wisdom a new technology has to offer about an older one. First of all, we have an extremely simple (unless you're not currently in the Western Highlands)
recipe from Scotland:
Take a fresh salmon, just caught from the rivers of the Western Highlands, and place it in a metal box with sawdust and sugar. Place the closed box over a fire and, half an hour later, enjoy the most superb smoked salmon.
For comparison, my method - only a bit more complicated - involves putting a whole salmon in a smoker and cooking it for about 6 hours, with the "tricky" bits involving temperature regulation and choice of wood. Alder is the traditional wood used in the U.S. northwest to smoke salmon, although I've found that hickory also works well. It's probably not a good idea to go solely with mesquite, though, since it can make the taste a bit harsh. Also, I use no rubs or bastes - just the fish and the wood.

A 17-part series called Smoking Salmon and Trout at culinary.com offers a distinguishment of preparation methods:

There are several methods that fall into two overall categories:
  • hot smoked (cooked) methods include barbecued, kippered, smoked-canned and small whole fish; and
  • cold smoked (below 85 deg. F) include Scotch-Irish-Norwegian-Nova Scotian style, lox, Indian or hard smoked, pickled-smoked, seelachs and smokes roes and livers.
My method is deemed barbecuing:
Barbecued: or smoke-cooked fish is made in a pre-heated covered barbecue or a box-and-hotplate smoker. The fish is cooked in a smoky atmosphere without preliminary cold smoking or prior conditioning.
And the details of the other methods with which I'm unfamiliar are:
Kippered: fish are conditioned before hot smoking by first drying the fish in barely warm air, then bringing it up to cooking temperature gradually to improve its appearance and quality.

Lox: or Lachs [German] can mean many things- traditionally fresh fish lightly salted and mildly smoke cured [therefore still needing refrigeration and is perishable], recently frozen fish thawed, salt-sugar cured and lightly smoked [Nova Lax] and even salt-sugar cured and unsmoked.

Hard smoked: jerky like and so dehydrated that it does not need refrigeration; based on traditional Native Indian preparations of cutting fillets into thin strips. These strips are partially dried by wind on sunny days or by fan in a dehydrator or a force draft smoker and smoked for only a portion of the drying time.

Seelachs: or ersatz salmon are salted, sliced thin, then dyed and smoked white fish.

Pickle-smoked: fish are pickled before smoking. This is a good way to enhance the taste of lean fish that do not otherwise smoke well.

I've always wanted to try cold smoking, having warm and fuzzy memories of dad's smokehouse in the backyard back in Ohio, wherein he smoked fresh bacon, hams, sausage and other things (although that smokehouse has only been used for storing garden tools for the last 25 years). I actually saw a fresh ham at the local Super Wal-Mart a couple of months ago., whereas a few years back I tried hard to find one and failed, even at the local butcher shops.

Other helpful salmon finds are:

Finally, I would be remiss (and not uncastigated) were I to fail to mention that Ian Anderson (of Jethro Tull fame) is the second largest smoked salmon producer in the U.K. [This item was sponsored by a marvelous bottle of Warthog Ale, a spiffing unpasteurized ale brewed by the folks at Big Rock Brewery in Canada. Our canuck friends should be happy to take the blame for this fine brew, which almost makes up for the fact that they haven't really taken out the Baldwins yet.]
posted by Steven Baum 4/4/2000 10:32:34 PM | link

ABIT OF FUN
The ABIT BP-6 motherboard is probably the hottest motherboard going in geekland right now. Not only was it the first motherboard to support dual Celeron Socket 370 PPGA CPUs (and therefore SMP with Linux, BEOS, and probably some version of Windoze), but it also allows up to 8 IDE devices to be connected and (in the geek wet dream department) is - like its ABIT ancestors -
overclockable via changing settings in the BIOS. Its popularity is attested to by drooling reviews at most of the technophile sites (e.g. HardwareCentral, Linux Gurus, Tech-Junkie, BXBoards, High-Performance PC Guide, Ars Technica and SysOpt). And is there any better testament to its popularity than the existence of www.bp6.com?

The best of its features is probably its price. It can be had for $130-140 at the usual discounter sites, and 500 MHz Celeron's can be snagged for $85-95 in OEM packaging. And several dealers are offering packages consisting of a BP-6 and a couple of matched Celerons, e.g. I ordered the board with two Celeron 466 MHz chips today for $285. These things run hotter than a St. Bernard in Beaumont in August- especially if you're overclocking - so it's highly recommended to snag a cooler for each CPU (e.g. the Global Win FKP32 (specially designed so two can fit on the board with no modifications needed) or the more aesthetically pleasing Golden Orb (which requires some modification). As an aside, you can find the ultimate in CPU cooling fun over at Kryotech, where they hammer together boxes that can damned near freeze vodka.

If you want to experiment with SMP and/or overclocking, you can't do it any cheaper or easier than with this board. Okay, there are older dual processor Pentium Pro boards being sold for less than $50 these days along with PPro 200/256K CPUs for $70 or so, but they're a lot harder to overclock and they're not as fast as the slowest Celerons being currently manufactured (not that I'm trying to disparage the PPro seeing how I still have 5 boxes run by those iron horses of the CPU universe). If this sort of low-end SMP experimentation wets your whistle, then you can move up to the next price level as illustrated in the evocatively titled SMP Smackdown. And if that still isn't enough (and you have a whole lotta cash laying around), then take a gander at the Compaq (i.e. Digital) ES40 series (holding up to 4 500 MHz 21264 processors, with the floating performance of each individual processor making even the GHz Pentiums and Athlons pale in comparison) or, if you've just knocked off Fort Knox, then try their HPC server line with up to 32 CPUs.
posted by Steven Baum 4/4/2000 08:57:57 PM | link


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