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Talking Heads
Notes:
?
Talking Heads - Demos, CBS Studios, Nov. 1975
Notes:
Talking Heads Demos, CBS Studios New York, NY November 1975 Studio recording Trade CDR->EAC->SHN Received with some live filler, which has been removed 01 - Psycho Killer 02 - Sugar On My Tongue - removed 03 - Thank You For Sending Me An Angel 04 - I Want To Live - removed 05 - I Wish You Wouldn't Say That 06 - The Girls Want To Be With The Girls 07 - Who Is It 08 - With Our Love 09 - Stay Hungry 10 - Tentative Decisions 11 - Warning Sign 12 - I'm Not In Love 13 - The Book I Read 14 - Love Goes To Building On Fire
Talking Heads - The Rat, Kenmore Square, Boston, MA, Jan. 22, 1977
Notes:
Talking Heads The Rat Kenmore Square Boston, MA 1/22/77 aud cass master recorded by allsoundz using a "forgotten mic and cassette recorder" cass>Tascam 122 MK III>Numark 20 band equalizer>HHB CDR 830>cdr>eac(secure mode)>cdw av>flac(level 8) total time 1:23:34 1st set 1 Artists Only 2 A Clean Break (Let's Work) 3 I Wish You Wouldn't Say That 4 With Our Love 5 Take Me To the River 6 The Book I Read 7 Uh-Oh Love Comes to Town 8 Thank You For Sending Me an Angel 9 Who Is It? 10 I Can't Control Myself 2nd set 1 The Girls Want To Be With the Girls 2 No Compassion 3 I Feel It In My Heart 4 New Feeling 5 Love Is All Around 6 Love -> Building On Fire 7 Psycho Killer 8 I'm Not In Love (w/Jerry Harrison) This seed is my tribute to The Rat, probably the most important club in the histor y of Boston rock. The Rathskeller, unofficially, and later, officially, known as th e Rat, was a bar in Kenmore square, a student neighborhood, now yuppiefied, in Bosto n Ma. At the street level was a bar which served food in the late 70s, and possibly did earlier. In the basement, down a steep set of stairs, was, what was probably described on their license as a "nightclub", but in fact, was a rock 'n roll dive. It was dark, dirty, always smelled, was hot in the summer, cold in the winter and ha d the most disgusting Men's Room it was my misfortune to ever use. I was told that the Ladies Room was just as bad and can only marvel at the courage and/or suffering of the women that frequented the Rat. There was always a hint of danger in the air a t the club. The place was owned by a former bouncer and he gave his minions free rei n and they always seemed to be big, thuggish guys. One of my most memorable nights a t the Rat was when the Real Kids, on stage, got into a fight with the bouncers! The waitresses, in my memory, were also a tough and surly lot, not adverse to cursing cu stomers out. Why would anybody patronize such an unpleasant dump? Because of music of course! The place began presenting music in the 60s and a friend of mine heard Barry & The Remains and the Lost there in 65 or 66. The place began a long slow decline when th e hippie bands and the "Bosstown" sound became popular and by the mid 70s it was onl y booking local, hard rock cover bands. When I returned to Boston in 76, they were featuring mostly local bands playing original material, but most of the bands were g eneric, mainstream hard rock. Willie Alexander and Third Rail and some others were exceptions, but generally the Boston local music scene, like the national scene, was in the artistic doldrums. Of course in 76, there was a vibrant local scene in New York with all kinds of bands that were supposed to be great but hadn't recorded, but you could read about them in the Village Voice. They had odd names like; Ramones, Television, Blondie, Heartbreakers etc etc. Obscure bands like that would never get to Boston; but, think again; in 76 some prescient person at The Rat began booking N YC bands on double bills with the local bands. One of the NYC bands they brought to Boston was the Talking Heads. I had first he ard them on July 4, 1976, when my college buddy, Shane and I celebrated the Bicent ennial at CBGB's. From, literally, the first tune- "Artists Only" (of course), I wa s a complete fan and thought that they were going to be a great and important band. Of course, I never imagined that they would be popular. When, in October 76, I saw an ad listing them for a two night stint at the Rat opening for a local Bad Company sound alike, I made sure I was there for both nights. I was even more impressed th an I was at CBGB's, but most of the locals were much less impressed. The Heads didn 't go over at all. Part of the problem might have been that they were announced as being from NYC and the Boston/NYC rivalry was just as fierce then as it is now. Bos tonians were not going to let any square looking NYC nerd with a squeaky voice tell them how to play rock n roll. After the first tune of the first Heads set, a large portion of the audience left to drink elswhere or get high and came back for the loc al Bad Company clones. This pattern repeated itself when the Heads began their seco nd set. Some of those too drunk or lazy to leave, contented themselves with occassio nally yelling, "You Suck!" or "Go back to New York". The general consensus on the l ocal scene was that they sucked in the worst way and were not "rockin'" at all. A " critic" in the local underground paper wrote that he should have stayed home and rea d a book, which I don't believe he meant as a brag about his literacy. Shockingly, and it's a tribute to that unknown booker at the Rat and the courage o f the Heads, they were booked again three months later in January 77. I was so ena mored of the band and worried that they might never record, I decided to tape them. I had taped a lot of shows in the early 70s but stopped around 75 when I began havi ng so much fun at the shows that I couldn't or didn't want to deal with taping. I h ad a fairly good cassette recorder at the time, make now forgotten, and a decent mi c that I bought second hand for $10. I never knew what the make of the mic was beca use the name plate had fallen off years before I got it. On one night of the Heads gig, I sat at a front table right behind the dance floor, which I remember being emp ty while the Heads played. The other night I sat at a table near the back of the mu sic area and, consequently picked up a lot of chatter. I set the mic down right on t he table and let it rip. I had decided that I wasn't going to let taping interfere w ith having a good time, so I didn't sit silently or ask people with me or those nea r me to be quiet. It wouldn't have done any good anyway! I don't know who a lot of the people you can hear are. I might not have known then. At one point, a waitres s asked me, " What's that?". I said, "A microphone." She just nodded. Probably, by the standards of misbehavior at the Rat, taping was no big deal. The Jan 77 gig was two nights, with the Heads once again opening for, as I remembe r, a local Bowie imitation band, the name of which is forgotten by me and probably e veryone else except its members. The local response, this time, while not being, wa rm, was not especially hostile. There was a small cadre of people there to hear the Heads and they made themselves heard. Jerry Harrison was sitting in the audience b oth nights and they called him onstage to play on the second night. It might be his first public performance with the band. The crowd was the usual Rat denizens; clubb ers out for a night of partying with a musical accompaniment and it didn't much matt er what it was as long as they could dance, fans and friends of the other band, loc al rock scenesters and the usual flotsam and jetsam that you find in any nightclub. I think these tapes capture the atmosphere of the Rat, the way I remember it. You can hear the music buffs discussing bands, the bored and uninterested chatting, guy s trying to pick up girls, drunks yelling, speed freak ranting and above it all, one of the best, most unique bands ever; just playing their music whether people were l istening or not. It was an exciting time to be listening to the Heads, an exciting time for rock and the Rat was an exciting place to be in January 77. Hope these tap es make you all feel a little bit of it. allsoundz PS Does anybody know of any other AUD tapes from the Rat? I don't.
Talking Heads - Talking Heads Live on Tour 1978-1979
Notes:
Vinyl via Kenwood KD-3055 Turntable>CD Wave Editor^MTalking Heads Live on Tour: The Warner Brothers Music Show^MThroughout the latter half of 1978 and the early mon ths of 1979, Talking Heads continued to criss-cross their way across Europe and the U.S.A., surprising many audiences with the power of their live shows. ^MRecognizing that on stage the band tapped into an energy source that their records left unminded , Warner Brothers (Sire's parent company) taped a Talking Heads show at the Agora in Cleveland on March 15th 1979. Entitled 'Talking Heads Live On Tour' (Warner Brother s Music Show WBMS 104), the album caught the group on the verge of the sessions for their third album Fear Of Music, and one song, 'Electricity', later appeared on that album as 'Drugs'. ^MThe rest of the live album consisted of songs from the first tw o studio LP's, charged with an emoional current that belied the often placid sound o f the group's records. No more than 600 copies of 'Live On Tour' were pressed up, bu t - like most of the promos in the Warner Brothers Music Show series - the album was quickly counterfeited (see the ^S HYPERLINK "http://www.talking-heads.net/bootlegs. html" ^Tbootleg survey^U). ^MI bought this album on vinyl in August 1979.^MTracks:^M The Big Country ^MWarning Sign ^MArtists Only ^MThe Girls Want To Be With The Girls The Good Thing ^MElectricity ^MNew Feeling ^MFound A Job ^MPsycho Killer ^MTake Me T o The River
Talking Heads - Palladium, Hollywood, CA, Oct. 20, 1980
Notes:
Talking Heads (David Byrne, Adrian Belew, Jerry Harrison, Chris Frantz, Bernie Worrell and 3 others) the Palladium Hollywood, California, U.S.A. October 20, 1980 performance quality: B+/A- pretty nice recording quality: B lineage: unknown mikes and deck (decent ones, not great) > master cassettes > my copy (both TDK-SA) > soundforge 4.5 (WAV) > CD > CD extractor (WAV) > FLAC 6 > torrentially yours. setlist: 78:45 1: psycho killer 5:57 2: warning sign 6:14 3: stay hungry 3:54 4: cities 5:14 5: band introductions :35 6: I zimbra 4:56 7: drugs 5:09 8: once in a lifetime 6:20 9: animals 4:31 10: houses in motion 6:35 11: born under punches 7:27 12: life during wartime 6:12 13: take me to the river 6:23 14: encore break 1:58 15: the great curve 7:14 comments: this concert may be from October, but it sounds like it's from July, maybe because it's almost always sunny and warm (if not hot) in L.A. as many go there for that (and what comes with it) as go there to make it in the movies. Talking Heads is one of those bands that makes me think of dog day weather, even though the only show I saw of this delightfully fun tour was a few weeks after this one. It's a whole show too, as at last look none of this show is included in officially released material. I already posted the New York show (minus one track which was officially released) so now we can have a Talking Heads in N.Y. and L.A. party. the Boston part of the story comes a little later. (worth the wait). do not sell this recording. trade freely and losslessly.
Talking Heads - Saratoga Arts Center, NY, Aug. 3, 1983, FM
Notes:
Talking Heads 8-3-93 Saratoga Performing Arts Center (SPAC) FM > Cassette Master > Dat > CD-R > EAC > FLAC Level 8 Disc 1 01. Psycho Killer 5:23 02. Heaven 6:30 03. Buildings Of Fire 3:10 04. Book I Read 4:59 05. Slippery People 5:41 06. Cities 5:00 07. Eyes Wide Open 4:36 08. Burning Down The House 4:01 09. Life During Wartime 5:44 10. Making Flippy Floppy 5:55 11. Swamp 5:25 12. What A Day It Was 6:15 13. Home 5:23 14. Once In A Lifetime 5:22 Disc 2 01. Big Business > I Zimbra 8:40 02. Houses In Motion 6:37 03. Fun Natural Fun 7:07 04. Girlfriend Is Better 6:12 05. Take Me To The River 8:16 06. Crosseyed And Painless 7:07
Talking Heads - Red Rocks, Morrison, CO, Aug. 26, 1983
Notes:
Talking Heads 1983-08-26 Red Rocks Amphitheater Morrison, Colorado Source: ? Mics > Sony TC-D5M > MSC > Nakamichi Dragon > 2nd Gen Cassette (Maxell MX1 10); Taped by Brad Lust Transfer: Tascam 112MKII > M-Audio 2496 > Sound Forge 8 44.1Khz @ 16bit WAV > CD Wav e > Flac; by Dub Irie 2006-06-27 Setlist: 01 - Psycho Killer 02 - Heaven 03 - Thank You For Sending Me An Angel* 04 - Building On Fire 05 - The Book I Read 06 - Slippery People 07 - Cities 08 - Big Blue Plymouth (Eyes Wide Open) 09 - Burning Down The House 10 - Life During Wartime (tape-flip cut) 11 - Making Flippy Floppy 12 - Swamp 13 - What a Day That Was 14 - Speaking In Tongues 15 - Once In a Lifetime 16 - Big Business/I Zimbra 17 - Burning Down The House Total Time: 88:13 Notes: This is a decent quality audience recording of a great show from the "Stop Making Se nse" tour. I attended this show but can't imagine how anyone taped it because it had to be the most raucous crowd I have ever saw at Red Rocks. It was a sold-out sea of dancing people that night - the hottest ticket that summer for sure. The place was wild from start to finish. Normally I reserve my seeds for higher quality recordings but this one has "mojo". I t has a couple of early level glitches and could be cleaner, but overall - not too bad for the place and time, and if you love the Heads you should grab it. Burning down the house, I would have to say, did happen. etree lists one incomplete copy held by one individual with no other info. An A- rec ording he says, but has anyone seen it? - Dub Irie 2006-06-27
Horace Tapscott
Horace Tapscott Trio - Four Queens Hotel, Las Vegas, NV, Feb. 1992, FM
Notes:
Horace Tapscott Trio French Quarter Room Four Queens Hotel Las Vegas, Nevada February 1992 FM Horace Tapscott (p) Roberto Miranda (b) Fritz Wise (d) 1. Lino's Pad (Tapscott) 2. Oleo (Rollins) 3. Akirfa (L. Robinson) 4. Song intros 5. One For Lately (T. Green) 6. Little Africa (L. Hill)
Horace Tapscott/Pan Afrikan Peoples Orchestra - Moers Festival, Germany, Jun. 3, 1995
Notes:
Horace Tapscott / Pan Afrikan Peoples Arkestra Moers Festival, Germany June 3, 1995 Horace Tapscott, p Nate Morgan, p Roberto Miranda, b Dwight Trible, voc Michael Session, reeds Jesse Sharps, reeds Charles Owens, reeds Steve Smith, tp Fundi Legon, French horn Therman Green, tb Williams Roger, tuba David Bryant, b Sunship Theus, dr Fritz Wise, dr Arthur Blythe, reeds 1. The Black Apostles (16:48) 2. Motherless Child (14:20) 3. Dem Folk (22:38) 4. A Ballad For Deadwood Dick (10:37) 5. Little Africa (10:30)
Cecil Taylor
Cecil Taylor - Roberts Hall, Grinnell College, Grinnell, Iowa, Feb. 8, 1969, FM
Notes:
A reseed for those who missed this last year. Great music in excellent quality (some hiss). Thanks
to the original taper/seeder! Artwork included.
Cecil Taylor Unit
Cecil Taylor p
Jimmy Lyons as
Sam Rivers ts,ss,fl
Andrew Cyrille d
Place: Grinnell, Iowa
Date: February 8, 1969
Venue: Roberts Hall, Grinnell College
Lineage: Radio broadcast > ? > cassette > CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) >
tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0)
Track 1 Unknown title [68:24] (minor glitches 48:07, 48:50)
Track 2 Unknown title [31:24] (minor glitches at 27:20 and 28:42)
Track 3 Unknown title [59:41]
***RESEED***
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Apparently the concert generated some controversy:
1) Introduction by organiser Gary Giddins in the school paper
2) Review of the concert by Molly McGuire in the school paper
3) Giddins reminiscing years later in an interview
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Grinnell College Scarlet and Black, Vol. LXXVI / Friday, February 7, 1969
Cecil Taylor Previewed. Uncompromising Artist Presents New Jazz
by Gary Giddins:
Cecil Taylor, pianist, composer, poet, and all-around musical guru for the jazz advance guard, wil
l be on campus February 6, 7, 8. Leonard Feather has written of him, "The freedom, complexity, har
monic innovation and emotional brilliance of Taylor's playing have established him as one of the t
ruly original minds in American music... Taylor's fast and intricately structured lines, almost pe
rcussive in their intensity, have had a stirring effect on the new horn techniques of the 60's...
A lack of acceptance by some musicians and critics and pitifully infrequent opportunities to recor
d, have kept Taylor's reputation and following limited to a small but devoted group of admirers.
That's not the half of it. Taylor has been screwed royally by club owners who were more interested
in selling drinks then providing a free rein for artistic expression. Record companies have used
him for a tax loss and don't bother to distribute. In this, Taylor is not unique. On the contrary,
there are very few jazz musicians who have not suffered under a similar strain of capitalism. The
new jazz is the bastard child of American music; it can't make it on a popular music level and it
is not accepted by the classical elitists. Taylor, however, is an uncompromising artist who puts
his craft first and refuses to kiss the asses of the money grabbing critics and hucksuckers who co
ntrol the (gasp) "music business." Unfortunately, the payoff at times was one major gig a year sup
plemented by working at Macy's in the afternoons.
And now-- twelve years after his first major date in New York-- the critics and the public who cri
ticized him as being a charlatan and anti-jazz are coming around. Cecil Taylor is a virtuoso piani
st who unlike many of his imitators-- some of whom are better known than he-- can express on the k
eys what's happening in his head. And that's what jazz is about-- expression and communication. Th
is doesn't mean that he is any more accepted by the public. Last August, he despaired as to whethe
r he would ever record again. Those who have heard him, know that if in a hundred years some histo
rian asks whether people in the 20th century could communicate, Cecil and some other musicians lik
e him will serve as one of the new affirmative answers.
Previously our ideas of time and space have been negated in favor of a collective sound emanating
from individual musicians surrendering their individuality to a group feeling. This music is not i
ntended for background music; it is a total music.
During their stay here, the Cecil Taylor Unit will be available to the entire campus for discussio
n, etc. Thursday at 4:00 p.m. there will be a lecture-discussion. Friday at 8:00 p.m. there will b
e a drum workshop and at 10 p.m. a poetry reading by Taylor. All of these events will be in the So
uth Lounge. The concert is in Roberts, Saturday night at 8:00 p.m.
Open up your mind and give them some of your time. They're worth listening to.
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Grinnell College Scarlet and Black, Vol. ????? / Friday, February 14, 1969
Controversial Concert Defended
by Molly McGuire:
A new breed of music was introduced to Grinnell last weekend in the form of the Cecil Taylor Unit,
an avant-guarde jazz quartet. If nothing else, the concert became a topic of controversy on campu
s as the music was foreign and incomprehensible to the ears of most of the audience. Arguments rag
ed over the quality or value of the music itself as well as the advisability of bringing this type
of music to Grinnell.
Comments ranged from the facetious Bandstand favorite, "Oh, it didn't have a very good beat and I
couldn't dance to it," to the popular, "It stunk!" Those who liked it seemed overpowered by it-- t
hey were completely carried away emotionally: "I was intoxicated by it," was one of the more extre
me comments on the positive side.
Generally, however, there seemed to be unfavorable response from the campus. On this note, the S&B
talked to Garry Giddins and Lee Shamberg of the Social Co-ordinating Committee to let them explai
n their reasons for bringing in Cecil Taylor, and also to let them comment on the student reaction
.
Their reason for presenting a concert of this type was two-fold. First, Giddins felt that "any con
troversy started in this conservative melange of apathy and lethargy would be beneficial." Shamber
g added, "The concert was a result of a continuous attempt to make the concerts program an organic
part of the education process. Education involves a challenge to one's standards and preconceptio
ns."
Secondly, they wanted to expose students to music they may never listen to on their own, or even r
ealize existed. "The importance of the concert," stressed giddins, "was that the students got a ch
ance to hear this music, not whether they liked it or disliked it. One of my hopes in bringing in
Taylor was that people would be moved to investigate the music more fully on their own."
Those criticizing the quality of the music itself were severely chided by Giddins and Shamberg. Th
ey argued that to criticize from a position of total ignorance is "indefensible." Instead of judgi
ng the music by the standards of the familiar Western music, they stressed that one must realize t
hat Taylor is working in a different medium, that of an Afro-American culture. Giddins stressed, "
Whatever similarities there are between Taylor and Mozart are outweighed by similarities between T
aylor and Ellington."
Giddins was particularly disturbed by the fact that so much of the audience left before and during
intermission. He said that if they would have stayed longer they very possibly would have ended u
p enjoying it (which is what did happen in several cases.) He said that Taylor wasn't playing for
those who left, but for those who stayed long enough to enjoy listening to the music as much as he
did playing it.
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Gary Giddins in an interview dated March 13, 2003:
Q: In your role as Concerts Chairman at Grinnell, you brought Cecil Taylor to perform there. I un
derstand you may have taken some heat for that?
A: I went home to New York on vacation, and while there I wanted to get in touch with Taylor and
ask him to play Grinnell. Somebody gave me his number, I phoned him, and he invited me up to the C
anal Street loft he lived in during the sixties. He was very nice, quiet, and I was quite comforta
ble with him. We sat around the piano and discussed what we both wanted out of his appearance at G
rinnell. He wanted to read his poetry, which I told him we could work in, and we went back and for
th, sharing ideas. I remember asking him if I could write out a preliminary contract, and asked if
he had any paper. He put his finger on a cocktail napkin that was on the piano that had like a we
t ring from a glass on it, and he pushed it toward me. So, I wrote out this little contract on a w
et cocktail napkin. I brought the napkin back to Grinnell and gave it to the faculty liaison -- wh
o thought I was nuts -- and who informed me that it wasn't exactly legal. I told her it was just a
preliminary agreement and that she should get something on paper, so they wrote out a real contra
ct, which Taylor signed, and he came to the school. It was an amazing week at Grinnell. He definit
ely gave the students something to think about. He was antagonistic in some respects, and many peo
ple just couldn't accept what he was playing, some even thought he was a charlatan. During a panel
discussion he and I did together he said something that I will never forget, which is that a musi
cian prepares and a listener should prepare too, which offended a lot of people. His drummer Andre
w Cyrille did an unbelievable solo drum presentation in which he demonstrated a lot of classic dru
m styles, and showed how they were put together. It was a brilliant demonstration that lasted an h
our and was one of the most exciting things I have ever seen of that sort.
Then there was the Saturday night concert by his great quartet, with Cyrille and saxophonists
Jimmy Lyons and Sam Rivers. Not surprisingly, there were lots of walkouts, but some people were re
ally knocked out, unintimidated by his music or by him. Even now, when I run into former classmate
s, they often bring up that amazing Cecil Taylor concert. A faculty member, a wonderful violinist
and teacher named Peter Marsh, who led the Lenox String Quartet, had asked to borrow some of Cecil
's albums, and he fell in love with Unit Structures. So he decided to have a faculty party for the
musicians after the concert. I walked in with Cecil and I remember Mrs. Marsh coming over and rav
ing to him about the concert, especially the middle part, which was the piano solo, comparing it t
o Ravel's Sonantine. Cecil asked her why she brought up Ravel and not Ellington or Bud Powell. A r
eal conversation stopper.
One of my most vivid memories of his time at Grinnell is of Cecil feeding quarters into a loun
ge jukebox, and then sitting down at the piano and playing along with Aretha Franklin records. He
just basically backed her up for about half an hour -- not in a manner that she would necessarily
have understood, maybe, but it was an incredible experience. He really is something.
Q: You had some time alone with him during this week?
A: Yes, at one point during a dorm party he asked me what albums I had in my room, so I invited h
im to come check out my collection. I was really proud of my super hip jazz collection, which he l
ooked at with complete disdain and asked me, "Got any James Brown?" I was crushed. I also remember
he was carrying Peter Gay's Weimar Culture with him; we had a conversation about it and I immedia
tely went out and bought the book, and became a great admirer of Peter Gay. I've read several of h
is books. I guess that's another example of something I've received from Cecil Taylor over the yea
rs.
Also, Cecil knew about the fact that Louis Sullivan -- the nineteenth century architect who design
ed Penn Station and Columbia University in New York -- designed a building in Grinnell, Iowa that
became the Powasheek County Bank. He was dying to see this bank, which is a beautifully designed,
elegant two-story square building. We walked into the bank and Cecil went up to the cashier and as
ked her about the building, which she knew nothing about. He tried to talk to her about Louis Sull
ivan but she was clearly puzzled by the whole encounter. We left the building and walked through t
own, and he told me he was looking forward to getting back to New York because he had plans to see
Betty Carter, who was going to be singing at Judson Hall, which later became Cami Hall. He was su
rprised that I knew who she was because, during the sixties, she had pretty much disappeared from
view and hadn't recorded in ages. But I had the album with Ray Charles, and when I mentioned that,
he said, "Oh, she's come a long way since then." When I got back to New York, she was doing anoth
er concert at Judson Hall and I went to see her, which intensified my own interest in Betty Carter
-- again, thanks to Cecil. Everything about that week with Cecil Taylor was monumental to me. It
was a great education.
Q: And it led to an attempt by the campus to impeach you as Concerts Chairman?
A: Ah, yes. The minute Cecil left campus, impeachment proceedings were brought against me for squ
andering student funds on a "charlatan." They actually had an impeachment meeting and a vote, whic
h I was not allowed to attend, even to defend myself. There were people on the committee who did d
efend me, however. I remember sitting in the student union -- it was called The Forum -- waiting t
o find out whether or not I had been impeached, and the editor of the school paper, who hated me a
nd all the things I was doing, was really enjoying my discomfort. He made nasty remarks, and I was
sitting there, fighting back tears I was so freaked by all of this. Then a bunch of people came r
unning in saying that, like Andrew Johnson, I had maintained my position by a vote, that I had not
been impeached. So I stayed on and brought Bobby Hutcherson with Harold Land, Ted Curson with Nic
k Brignola and Eddie Harris, Ellington, Armstrong, B.B. King, oh, we had fun.
The next year, Cecil was hired at Antioch College and people at Grinnell started questioning thems
elves -- maybe he wasn't a "charlatan" after all if Antioch wanted him. Then he went to Wisconsin
and developed a near-legendary presence in the Midwest because of his teaching, and suddenly I hea
rd people at Grinnell actually boasting about having him first. When I went to a campus reunion in
the eighties, everybody was going on and on about all the concerts I had produced, and they espec
ially remembered Louis Armstrong, Duke Ellington and Cecil Taylor. The same people who walked out
of the concert were now nostalgic about it.
Cecil Taylor - Gottingen, Germany, Sep. 15, 1990
Notes:
A reseed for those who missed this last December: a sort of soundboard recording of excellent quality. Thanks to the original taper/seeder! Artwork included. Cecil Taylor Ensemble Cecil Taylor,p Tobias Netta,tp Heinz-Erich Gdecke,tb Joachim Gies,as,ss Martin Speicher,as,bs Ove Volquartz,ss,ts,bcl Harald Kimming,vio Alexander Frangenheim,b Uwe Martin,b Kojo Samuels,per,balafon,elephant-horn Lukas Lindenmaier,dr Peeter Uuskyla,dr Place: G ttingen, Germany Date: September 15, 1990 Venue: Junges Theater 1) Untitled piece (72:27) track 1 (44:06) (tape flip) track 2 (28:21) 2) Untitled piece (56:33) track 3 (43:34) (tape flip) track 4 (12:59) 3) Encore track 5 (09:33) Lineage: SBD? > unknown tape > CDR > flac
Eric Taylor
Eric Taylor - Hollandsche Rading, Hertenkamp, Netherlands, Oct. 20, 2003
Notes:
Eric Taylor Hollandsche Rading - the Hertenkamp The Netherlands october 20 2003 Another great songwriter I registrated "In the Woods"; even a couple of times. This n ight Eric Taylor played a double bill with the great performer Rod Picott. I edited t he recording 'cause the stories between the songs were too full with red wine in my o pinion. It contains a 10:58 min. stunning version of "Dean Moriarty" and it's always nice to see the Douma brothers on stage when Eric is in the Netherlands. Line up: Eric Taylor: vocals, acoustic guitar Susan Lindfors: backing vocals Mr. Jones: backing vocals Jelle Douma: backing vocals Jan Douma: backing vocals recorded and mixed by songhunter Equipment: microphone Eric: Studio Projects C1 (line in 1) guitar Eric: Tube pre-amp (line in 2) and AKG C1000 (line in 3) backing vocals: AKG C1000 (line in 4) plus Studio Projects C1 (line in 1) recorded and mixed direct from 4 lines in on a MX 802A to 2 track DAT SONY DTC 690 ***EXC QUALITY*** Setlist 1. high heels and 20 dollar bills [4:24] 2. where i lead me [5:11] 3. prison movie [5:54] 4. walking back home [4:44] 5. dean moriarty [10:58] 6. hemingway shotgun [5:14] 7. walk with you a while [5:46] 8. two fires [4:28] 9. white bone [7:08] 10. bright companion baby [4:54] have a look on : http://www.bluerubymusic.com/ Enjoy!
Eric Taylor - The Long House, KPFK Folkscene, Encino, CA, Mar. 3, 2006
Notes:
Eric Taylor The Long House KPFK Folkscene Encino, Ca March 3, 2006 source : fm taper : markp sorry no setlist
James Taylor
James Taylor - August 1986 Compilation
Art:
Notes:
James Taylor August 1986 Compilation DISC ONE 1. Song For You Far Away (A) 2. There We Are (A) 3. Rainy Day Man (A) 4. Carolina In My Mind (A) 5. Everyday (A) 6. Only One (A) 7. Angry Blues (A) 8. Country Road (A) 9. Fool To Care (A) 10. Summer's Here > One Man Parade (A) 11. Turn Away (A) 12. Honey Don't Leave L.A. (A) 13. Lighthouse (A) 14. The Twist (A) 15. Is That The Way You Look? (A) 16. Anywhere Like Heaven (A) 17. Only A Dream In Rio (A) DISC TWO 1. A Junkie's Lament (B) 2. Fire And Rain (B) 3. Love Has Brought Me Around (B) 4. I Will Follow (B) 5. You've Got A Friend (C) 6. Handy Man (C) 7. Up On The Roof (B) 8. Steamroller (B) 9. That's Why I'm Here (B) 10. How Sweet It Is (B) 11. Sweet Baby James (B) Bonus Tracks 12. Introduction to Mona (C) 13. Mona (C) 14. Your Smiling Face (C) Sources: A+B+C > EAC > Sound Forge 6.0 > CDWave > 2flac/2cd-da A. August 3, 1986; Fox Theater, St. Louis, MO; Audience Recording; A sound quality B. August 8, 1986; State Fair Park, Milwaukee (West Allis), WI; Audience Recording; A-/A sound quality C. August 20, 1986; Jones Beach Theater, Wantagh, NY; Audience Recording; A- sound quality ALS, April 2005 Band members: Dan Dugmore - pedal steel and electric guitar John Guiliton - piano and synthesizer Lee Sklar - bass Carlos Vega - drums and percussion Arnold McCuller - background vocals Rosemary Butler - background vocals Comments: This compilation features the best currently available tracks from August 1986. The August 1986 shows feature an interesting set list as well as top notch performances from JT and his band (especially Arnold and Rosemary). This is a reseed, it was originally uploaded by ALS James introduction to the song "Mona" is priceless and worth the whole download, a riot!! Enjoy !!
They Might Be Giants
They Might Be Giants - Grant Park, Chicago, IL, Jul. 4, 1992, FM
Art:
Notes:
They Might Be Giants 1992-07-04 Chicago, IL, Grant Park Source: FM -> cassette -> FLAC 01 Intro 02 Frankenstein 03 I Palindrome I 04 Twisting 05 Particle Man 06 The Guitar 07 The Statue Got Me High 08 The Famous Polka 09 Ana Ng 10 Your Racist Friend 11 Whistling in the Dark 12 Narrow Your Eyes 13 Birdhouse in Your Soul 14 Don't Let's Start 15 Dig My Grave Total time: 43:55
They Might Be Giants - Count Basie Theater, Red Bank, NJ, Oct. 17, 1994
Art:
Notes:
They Might Be Giants 1994-10-17 Red Bank, NJ, Count Basie Theatre Source: AUD -> cassette -> FLAC 01-01 The Countdown 01-02 Meet James Ensor 01-03 They'll Need a Crane 01-04 Mammal 01-05 Number Three 01-06 The Famous Polka 01-07 Particle Man 01-08 Istanbul 01-09 Don't Let's Start 01-10 AKA Driver 01-11 The End of the Tour 01-12 Why Does the Sun Shine 01-13 Destination Moon 01-14 The Statue Got Me High 01-15 Whistling in the Dark 01-16 Band Intros 01-17 Your Racist Friend 02-01 A Self Called Nowhere (missing beginning) 02-02 Extra Savoir-Faire 02-03 She's an Angel 02-04 Out of Jail 02-05 Ana Ng 02-06 Stomp Box 02-07 Dirt Bike 02-08 Sleeping in the Flowers 02-09 I Palindrome I 02-10 The Guitar 02-11 Birdhouse in Your Soul 02-12 Snail Shell 02-13 Twisting 02-14 The Joker 02-15 Dig My Grave 02-16 Spy (fades out a minute in)
Irma Thomas
Irma Thomas - Boulder Theater, Boulder, CO, Jul. 16, 1989, SBD
Art:
Notes:
Irma Thomas & the Professionals Boulder Theater, Boulder, CO 7-16-89 Disc One 1 Red Rooster Intro 2 Band instrumental 3 Dancin' in the Streets 4 Givin' You the Best That I've Got 5 Old Records 6 You Can Think Twice 7 Sorry Wrong Number 8 The Way I Feel 9 You Don't Know Nothin' About 10 You Can Have My Husband 11 Sit Down and Cry 12 I Needed Somebody 13 I've Been Loving You Too Long 14 Down Home Blues 15 Breakaway 16 Time Is on My Side 17 I Wish Someone Would Care Disc Two 18 I Done Got Over > 19 Hey Pockey Way 20 Hold You to Your Promise Source: SBD-MC>CD-R
Hunter S. Thompson
Hunter S. Thompson - U.C. Ballroom, UC, Boulder, CO
Art:
Notes:
Hunter S. Thompson - 10/13/77 UC Ballroom Boulder Co Set 1 Intro, American Dream Football, Vietnam Books Tom Wolfe Trudeau, Running For Office Rockafellar, Tri-Lateral Rush, Aldridge V.D., Disco & Rolling Stone World Series, MK - Ultra Kesey, Canada Evil As Nixon?, Uganda, Degeneracy Steadman, Gonzo More Kesey, Avoiding Jail Silver Platter, The Slide Carter Argument Drug Question, Drunk And Loud Three Wishes, Fascist Last Changed By
Richard Thompson
Richard Thompson - Assembly Rooms, Edinburgh, Scotland, Aug. 1987, FM
Art:
Notes:
Richard Thompson
Assembly Rooms-Edinburgh, Scotlan
August 1987
German FM Broadcast > 2nd Generation > CDR > Flac
01 Turning Of The Tide
02 Walking On A Wire
03 Two Left Feet (Splice)
04 Pharoah (Splice)
05 Banish Misfortune
06 She Twists The Knife Again
07 Killerman Gold Posse
08 Al Bowley's In Heaven
09 Valerie
10 Missy
11 Wall Of Death
12 Not Fade Away
13 Withered And Died (Partial)
14 A Bone Thru Her Nose
15 Smitty's Glass Eye
16 How Will I Ever Be Simple Again
17 Real Gone Gal
18 Hand Of Kindness
Bonus Track
19 Don't Let A Thief Steal Into Your Heart ("Traveling Folk" Radio Scotland, August 20, 1987)
I recently transferred this for a trade and thought while I was at it I'd share it with all my dim
e friends. The tape came from an italian trader back in late 80's or early 90's. Richard played
4 solo shows at the Assembly Rooms between 8/23-8/28 and I'm not sure which date(s) this is from.
Listening to this show back in the day on cassette I was always slightly annoyed by the somewhat
intrusive German DJ. Not only did he speak between songs but on at least one occasion a song woul
d fade out and he would talk and then it would fade back in.
With the transfer to cd I was able to edit out the intrusive parts that were there for no good rea
son, I kept all the DJ chatter that was translating something Richard was saying on stage during R
ichard's stage banter and have edited out the parts that were between songs with nothing in the ba
ck ground. So, there is no music or stage banter edited out.
The splice in Two Left Feet is due to a song fade at which point the DJ interrupted, then a fade b
ack in, I simply edited out the DJ speaking and the only music missing is what was missing on the
actual broadcast.
The splice during Pharoah is due a commercial inserted in the middle of the song, in both cases th
ere is a quick fade out and fade back in as in the original broadcast.
Withered And Died is partial due to a fade out and then a commercial was played, the commercial ha
s been edited out.
As a bonus track I've added Richard's performance on the "Traveling Folk" show on Radio Scotland f
rom August 20.
Sample attached....
Enjoy!
mjk5510
Richard Thompson - Town Crier, Pawling, NY, Mar. 7, 1991, SBD
Notes:
RICHARD THOMPSON THE TOWN CRIER,PAWLING,NY MARCH 7,1991 CD1 1-INTRO 2-I MISUNDERSTOOD 3-VINCENT BLACK LIGHTNING 1952 4-SHOOT OUT THE LIGHTS 5-TURNING OF THE TIDE 6-GOD LOVES A DRUNK 7-TWO LEFT FEET 8-PHARAOH 9-JERUSALEM ON THE JUKEBOX 10-NOW THAT I AM DEAD 11-DAYS OF OUR LIVES 12-TALK 13-SHE MOVES THROUGH THE FAIR 14-DON'T ROLL THOSE BLOODSHOT EYES AT ME CD2 1-THE KILLING JAR 2-WALL OF DEATH 3-WHEN THE SPELL IS BROKEN 4-WALTZING'S FOR DREAMERS 5-YOU CAN'T WIN 6-VALERIE 7-CROWD 8-WHO WERE YOU THINKING OF ? > 96 TEARS** 9-THE BIG COUNTRY** 10-I FEEL SO GOOD** 11-CROWD 12-CA PLANE POUR MOI** CD3 - SOUNDCHECK & REHEARSEL 1-/RECKLESS KIND > MYSTERY WIND > I GAVE MY LOVE A CHERRY 2-SHOOT OUT THE LIGHTS 3-CA PLANE POUR MOI** 4-96 TEARS** 5-TUNING 6-WHO WERE YOU THINKING OF ? > 96 TEARS** 7-TUNING 8-WHO WERE YOU THINKING OF ? > 96 TEARS** 9-TUNING 10-I FEEL SO GOOD** 11-TUNING 12-I FEEL SO GOOD** 13-THE BIG COUNTRY** 14-I FEEL SO GOOD** 15-THE BIG COUNTRY** ** W/ DAVID BYRNE DAT SB MASTER > DAT > M-AUDIO TRANSIT > COOL EDIT > CD WAVE EDITOR > FLAC
Richard Thompson - Fairport Convention Festival, Cropredy, Aug. 16, 1991, SBD
Art:
Notes:
RICHARD THOMPSON BAND ANNUAL FAIRPORT CONVENTION FESTIVAL CROPREDY,BANBURY,UK AUG.16,1991 W/ SHAWN COLVIN CD1 1-INTRODUCTION 2-READ ABOUT LOVE 3-BACKLASH LOVE AFFAIR 4-GYPSY LOVE SONGS 5-I STILL DREAM 6-KEEP YOUR DISTANCE 7-TEAR STAINED LETTER 8-HOW MANY TIMES 9-1952 VINCENT BLACK LIGHTNING 10-WALTZING'S FOR DREAMS 11-I MISUNDERSTOOD 12-SHADY GROVE CD2 1-A BONE THROUGH HER NOSE 2-I FEEL SO GOOD 3-SHOOT OUT THE LIGHTS 4-WALL OF DEATH 5-VALERIE 6-MOTHER KNOWS BEST 7-CRASH THE PARTY 8-MYSTERY WIND SBD DAT MASTER > DAT > CDR > EAC > WAVE > FLAC
Richard Thompson - Ritz, NYC, Jul. 9, 1991, SBD
Art:
Notes:
Richard Thompson Ritz-New York City, New York July 9, 1991 Master Soundboard > 2nd Generation > CDR > Flac Disc One 01 Read About Love 02 Backlash Love Affair 03 Gypsy Love Songs 04 I Still Dream 05 Keep Your Distance 06 Tear Stained Letter 07 God Loves A Drunk 08 1952 Vincent Black Lightning 09 Oh I Swear w/Shawn Colvin 10 I Misunderstood w/Shawn Colvin 11 Shady Grove (John Sherman vocals) 12 Bone Thru Her Nose Disc Two 01 I Feel So Good 02 Shoot Out The Lights 03 Wall Of Death 04 Valerie 05 Mother Knows Best 06 Who Where You Thinking Of w/David Byrne 07 96 Tears w/David Byrne 08 Crash The Party w/David Byrne & Shawn Colvin Pete Zorn David Durge Pat Donaldson John Sherman Special Guests Shawn Colvin David Byrne Another recent transfer for a trade and figured I'd share while I was at it... Great soundboard of one of my favorite shows from the '91 tour (actually of the 1990's), Shawn Col vin and David Byrne join in for a couple of guest appearances. Highly reccommended for anyone with any interest at all in Richard's brilliant music. Samples attached... Enjoy! mjk5510
Richard Thompson w/ Shawn Colvin - Bottom Line, NYC, Feb. 14, 1994
Art:
Notes:
RICHARD THOMPSON & SHAWN COLVIN THE BOTTOM LINE,NYC FEB.14,1994 EARLY SHOW CD1 1-TALK 2-POLAROIDS > R & B MEDLEY 3-TALK 4-SHOTGUN DOWN THE AVALANCHE 5-OH I SWEAR 6-TALK 7-1952 VINCENT BLACK LIGHTNING 8-TALK 9-FOUR SEASONS IN ONE DAY 10-ROUND OF BLUES 11-TALK 12-SLIP/STREAM CD2 1-TALK 2-MINGUS EYES 3-TALK 4-CRY LIKE AN ANGEL 5-OBJECT OF MY AFFECTION 6-KING OF BOHEMIA 7-I FEEL SO GOOD 8-THIS MUST BE THE PLACE 9-WALL OF DEATH 10-CROWD/TALK 11-THAT'S THE WAY LOVE GOES 12-SHANE AND DIXIE LATE SHOW CD1 1-INTRO/TALK 2-IT MAKES NO DIFFERENCE 3-TALK 4-I CAN'T WAKE UP TO SAVE MY LIFE 5-BEESWING 6-TALK 7-DIAMOND IN THE ROUGH 8-TALK 9-TWILIGHT 10-TAKING MY BUSINESS ELSWHERE 11-TALK 12-TEAR STAINED LETTER 13-KNOWING WHAT I KNOW 14-TALK 15-POLAROIDS > R & B MEDLEY CD2 1-TALK 2-EASY THERE STEADY NOW 3-THE SUN NEVER SHINES ON THE POOR 4-TALK 5-SET THE PRARIE ON FIRE 6-I MISUNDERSTOOD 7-TALK/WILD MOUNTAIN THYME (TEASE)/TALK 8-1952 VINCENT BLACK LIGHTNING 9-A HEART NEEDS A HOME 10-WALL OF DEATH 11-CROWD 12-FOUR SEASONS IN ONE DAY 13-VALERIE SB DAT MASTER > REEL > AUDIO CD > SONY SCREEENBLAST EXTRACTION > RETRACKED WITH CD WAVE EDITOR > FLAC
Richard Thompson - McCarter Theater, Princeton, NJ, Nov. 2, 1999, SBD
Art:
Notes:
Richard Thompson Band McCarter Theater Princeton, NJ Nov 2, 1999 SDB It's been a while since I've uploaded anything, so I thought I'd share a '99 RT I l isten to when I'm in the mood for a 99 show. This is a sweet sounding soundboard recording, albeit one with a slight quirk or tw o: there's a very, very slight echo that crops up occasionally (it makes the backgr ound vocals better than they were live on When a Spell is Broken, imo) and the volu me level changes a bit once or twice. I have not touched it. Source info that came with the discs: SDB>DAT>CDR Prior to uploading: CDR>EAC(secure mode)>WAV>Flac(level 8) CD1 74:26 Cooksferry Queen Sibella Bathsheba Smiles Two-Faced Love Hard on Me (+Band Intros) Jenny My Love She Twists the Knife Again Uninhabited Man Al Bowly's In Heaven Persuasion Sights and Sounds of London Town CD2 62:36 [Chat] Walking the Long Miles Home I Want to See The Bright Lights Tonight When the Spell is Broken Feel So Good Tear Stained Letter Encore 1 1952 Vincent Black Lightning Crawl Back Man in Need Enocre 2 A Heart Needs a Home Wall of Death Razor Dance Enjoy, deborah
Richard Thompson - West End Cultural Center, Winnipeg, Jul. 16, 2000, FM
Art:
Notes:
July 16, 2000,
West End cultural Centre
Source Pre FM
Lineage
CDR >> EAC (Logs included) >> Flac Frontend Level 8
Flaw, Audio level correction in track 1, disk 1
A nice sounding show, parts of which were broadcast on the CBC. A fundraiser for the Winnipeg F
olk Festival with diner served.
Disk 1
D1_Richard_Thompson_01_Sights_And_Sounds_Of_London_Town.flac
D1_Richard_Thompson_02_Bathsheba_Smiles.flac
D1_Richard_Thompson_03_From_Galway_To_Graceland.flac
D1_Richard_Thompson_04_I_Feel_So_Good.flac
D1_Richard_Thompson_05_Ghost_Of_You_Walks.flac
D1_Richard_Thompson_06_My_Daddy_Is_A_Mummy.flac
D1_Richard_Thompson_07_Dry_My_Tears.flac
D1_Richard_Thompson_08_1952_Vincent_Black_Lightning.flac
D1_Richard_Thompson_09_The_Great_Valerio.flac
D1_Richard_Thompson_10_Turning_Of_The_Tide.flac
D1_Richard_Thompson_11_Shoot_Out_The_Lights.flac
..
Disk 2
D2_Richard_Thompson_01_Walking_The_Long_Miles_Home.flac
D2_Richard_Thompson_02_God_Loves_A_Drunk.flac
D2_Richard_Thompson_03_Beeswing.flac
D2_Richard_Thompson_04_Keep_Your_Distance.flac
D2_Richard_Thompson_05_Uninhabited_Man.flac
D2_Richard_Thompson_06_Cooksferry_Queen.flac
D2_Richard_Thompson_07_I_Misunderstood.flac
D2_Richard_Thompson_08_Crawl_Back.flac
D2_Richard_Thompson_09_Dimming_Of_The_Day.flac
D2_Richard_Thompson_10_Valerie.flac
Richard Thompson - WFUV City Folk, NYC, May 4, 2003, FM
Art:
Notes:
RICHARD THOMPSON WFUV CITY FOLK SUNDAY BREAKFAST WITH JOHN PLATT GUILD ROOM,MUSEUM OF TELEVISION AND RADIO,NYC MAY 4,2003 1-INTERVIEW 2-GETHSEMANE 3-INTERVIEW 4-A LOVE YOU CAN'T SURVIVE 5-INTERVIEW 6-SHE SAID IT WAS DESTINY 7-INTERVIEW 8-DIMMING OF THE DAY 9-OUTRO WFUV FM > DAT > AUDIO CD > SONY SCREEN BLAST EXTRACTION > COOL EDIT > CD WAVE EDITOR > FLAC
Richard Thompson - Moravian College, Bethlehem, PA, Aug. 10, 2004
Art:
Notes:
Richard Thompson (Solo Acoustic) Foy Hall @ Moravian College Bethlehem, PA 8-10-04 "Bethlehem Music Festival" Source: DAUD> CD-R> EAC> CD Wave Editor> FLAC (Sonic Studio mics> FOB) Transfer Info: Master Dat> CD-R via Tascam DA-20MKII> CD-RW700 stand-alone burner. Those 1 track cds then extracted to my HD via EAC, track IDs written with CD Wave Editor and then encoded to FLAC Artwork included with pics I took at the show. Many thanks to JM3 for the use of his master dat to plant this beautiful seed!!! Disc 1 1. One Door Opens 2. Johnny's Far Away 3. King Of Bohemia 4. Crawl Back 5. Outside Of The Inside 6. Crazy Man Michael 7. Cooksferry Queen 8. Down Where The Drunkards Roll 9. Alexander Graham Bell 10. My Daddy Is A Mummy 11. Gethsemane 12. Persuasion Disc 2 1. 1952 Vincent Black Lightning 2. Did She Jump Or Was She Pushed? 3. Hokey Pokey 4. Cold Kisses 5. I Misunderstood 6. Sibella 7. Don't Sit On My Jimmy Shands 8. I Want To See The Bright Lights Tonight 9. God Loves A Drunk 10. I Feel So Good 11. A Love You Can't Survive Notes: This is real sweet audience recording of RT's first visit to the Bethlehem Music Festival and he really seemed to enjoy his time here. The gig was played in Foy Hall on the campus of Moravian College, a very small indoor venue of about 450 people right in the middle of the festival, basically a lecture hall with wonderful acoustics. The small crowd was extremely quiet and respectful, waiting for the last bit of resonance from each last note before applauding, but doing so loudly when the time was right. Although RT's between-song-banter is a bit distant sounding, the sound of his acoustic really filled the hall up nicely...it was LOUD...and I was happy!
Richard Thompson & Danny Thompson - Helen Hayes Theater, Nyack, NY, Oct. 22, 2005
Art:
Notes:
RICHARD THOMPSON & DANNY THOMPSON HELEN HAYES THEATER,NYACK,NY OCT.22,2005 CD1 1-MINGUS EYES 2-OLD THAMES SIDE 3-CRAWL BACK 4-KING OF BOHEMIA 5-ONE DOOR OPENS 6-HOTS FOR THE SMARTS 7-MY SOUL MY SOUL 8-OUTSIDE OF THE INSIDE 9-AL BOWLLY'S IN HEAVEN 10-1952 VINCENT BLACK LIGHTNING 11-DEVONSIDE CD2 1-DIMMING OF THE DAY 2-PERSUASION 3-ALEXANDER GRAHAM BELL 4-GETHSEMANE 5-HOW DOES YOUR GARDEN GROW ? 6-HOKEY POKEY 7-WALTZING'S FOR DREAMERS 8-I FEEL SO GOOD 9-DON'T SIT ON MY JIMMY SHANDS 10-GHOSTS IN THE WIND DPA 4060's > 11 DB Cable > SBM-1 > JB3 > Cool Edit > CD Wave > CD > EAC > Wave > FLAC
Richard Thompson - Aladdin Theater, Portland, OR, May 8, 2006
Notes:
Richard Thompson
with Judith Owen and Debra Dobkin
1000 Years of Popular Music
Aladdin Theatre
Portland, OR
May 8, 2006
SOURCE: Audience
LINEAGE: Core Sound Stealth Cardoids > Sony PCM-M1 DAT > Philips CDR 870 >
EAC > WAV > Nero Wave Editor (fades and minor repairs) > CD Wave (track spl
itting) >
FLAC
TRANSFERRED BY: jfb
FILESIZE: 666 MB
SETLIST:
Disc 1
1. Sumer is Icumen In
2. The Three Ravens
3. So Ben Mo Ca Bon Tempo
4. False Knight on the Road
5. O Sleep Fond Fancy
6. When I am Laid in Earth
7. Remember O Thou Man
8. Shenandoah
9. Blackleg Miner
10. I Live in Trafalgar Square
11. There is Beauty in the Bellow of the Blast
12. Sally Gardens
13. Java Jive
14. Night and Day
Disc 2
1. London Pride
2. Orange Coloured Sky
3. Drinking Wine Spo-Dee-O-Dee
4. A-11
5. See My Friends
6. Friday on My Mind
7. Tempted
8. Kiss
9. Oops! I Did it Again!
1st Encore
10. ? (French song from 1190)
11. Money, Money, Money
12. It Won't Be Long
2nd Encore
13. Sam Hall
14. Cry Me a River
15. There's Always Someone Cooler Than You
NOTES:
This is a brilliant performance and an excellent sounding recording. A real gem.
I have seen Richard Thompson perform many times, but this show is at the top of
my list. The sound in the hall was perfect, the setlist was good, there was lots
of energy in the renditions and Richard was in good humor with the song
introdctions.
This is a great recording with only 2 minor flaws. The show started abruptly
(an opening act was expected), so the first few seconds of the "Sumer is Icumen
In" is missing and it takes 20 seconds or so for the audio to get to a state of
goodness. Also, for some reason the tape paused for a few seconds at the start
of the first encore and so a small part of the introduction to the 1190 French
song is missing. These issues and not very noticable and overall this is a great
listen.
Richard Thompson - Bijou Theater, Knoxville, TN, Jun. 7, 2006
Art:
Notes:
Richard Thompson Bijou Theater Knoxville, TN June 7, 2006 This is a solo acoustic gig Thompson played at the newly re-opened Bijou Theater be fore a packed house. Recorded with DPA mics to an M-Audio Microtrack. I wasn't a ble to find a setlist for the show.
Richard Thompson - Edinburgh Festival Fringe, Aug. 7, 2006
Art:
Notes:
Richard Thompson: Edinburgh Festival Fringe 2006. Queen's Hall, Clerk Street, Edinburgh, Scotland. 7th August 2006. The is one of three gigs (consecutive nights) played by Richard Thompson at the Que en's Hall during the Edinburgh Festival in 2006. Disc 1 47Minutes 49Seconds/221MB. Disc 2 42Minutes 48seconds/212MB. Lineage: R1-Wav-CoolEdit-Flacfrontend (compression 4). Original Taper: leex100. Set List: Disc 1 01. When the Spell is Broken. 02. She Sang the Angels to Rest. 03. Crawl Back ( Under My Stone ). 04. Cold Kisses. 05. Dads Gonna Get Me. 06. Hot for the Smarts. 07. Persuasion. (Written by Finn/Thompson) 08. Soul My Soul. 09. Sunset Song. Set List: Disc 2 01. 1952 Vintage Black Lightning. 02. Crazy Man Michael. 03. Cooksferry Queen. 04. Shoot Out the Lights. 05. Bathsheba Smiles. 06. The Grear Valerio. 07. Valerie. 08. Galway to Graceland. 09. Wall of Death. Richard Thompson, solo, semi-acoustic set (one of three). I've included the ticket stub jpg and a small number of grainy photographs taken at the gigs and also Richards cue sheets etc. leex100 Taxi TA
Richard Thompson - Narrows Center, Fall River, MA, acoustic (2 discs)
Art:
Notes:
?
Toots and the Maytals
Toots and the Maytals - Santa Cruz, CA, Feb. 8, 1978
Art:
Notes:
Toots & The Maytals February 7, 1978 Santa Cruz Civic Auditorium Santa Cruz, CA Low gen. soundboard reel with FM announcer comments spliced in from off-air reel master. Excellent sound quality. Disc 1 - 29:16 01 [04:00] KUSP DJ Lance Linares FM intro 02 [03:25] stage announcer > Pressure Drop 03 [06:10] Funky Kingston 04 [06:12] Take Me Home Country Roads 05 [07:15] Time Tough 06 [05:58] Missing You Disc 2 - 70:24 01 [07:19] Spirit 02 [06:42] Monkey Man 03 [05:11] untitled riff 04 [13:38] > 54-46 Was My Number 05 [25:40] Reggae Got Soul 06 [03:18] KUSP DJ Lance Linares, crowd & tune ups before encore Encore: 07 [08:46] Happy Days Toots Hibbert with Winston Wright - organ Jackie Jackson - bass Hux Brown - lead guitar Rad Bryan - rhythm guitar Paul Douglas - drums Lineage: KUSP-FM prebroadcast Revox B77 7.5 ips production reel > Tandberg 9241XD Dolby B e ncoded 3.75 ips reel. KUSP announcer splices: off-air Revox 3.75 ips reel master (no Dolby). Transfer: Soundboard source: Tandberg 9241XD (Dolby B decoded) Off-air FM source: Tandberg 9241XD (Dolby B off) > Macintosh with DigiDesign AudioMedia III soundcard > Pro Tools (minor "nip & tuck" edits, normalization & tracking) > AIFF > xACT (Flac level 8 files with sector boundaries verified ). md5 file created with checkSUM+. The sections that were spliced in were missing from the station reel. That reel started with the stage intro and the encore break was cut out completely. For that reason the station re el was likely a 1st gen. copy and not the master. However you label it I think it sounds gre at (check the sample to judge for yourself). Enjoy & Share!
Peter Tosh
Peter Tosh - Calderone Theater, Hempstead, NY, Aug. 22, 1979, SBD
Peter Tosh Calderone Theater Hempstead, NY 08.22.79 Source: Pre-FM SBD feed > Nak 550 > Maxell UD-XLII 90 (no NR?) via Peter Hedeman Transfer: MC > Nak CR7-A (azimith adjust) > SBM-1 (s/pdif) > Lynx Studio Technology One (soundcard) > SoundForge 4.5 > CD Architect 4.0f > Red Book CDR Re-Master: CDR > WAV > Wavelab 5.01a (L3 Multimaximizer) > FLAC Disc 1 1. 400 Years > 2. Steppin' Razor 3. The Day the Dollah Died 4. Soldier for Jah Army 5. African 6. I'm The Toughest > 7. Bush Doctor 8. Get Up Stand Up 9. Don't Look Back > 10. Buk-In-Ham Palace Disc 2 1. Words Sound & Power > Mystic Man > 2. Legalize It (fades) Another fat Peter Tosh SBD. Disc 2 begins with a band member announcing "part two," and the tape fades out durin g the band introductions in the middle of Legalize It. This could be the first part of Set II only, or almost the entire encore. My guess is, it's the whole show. Ma ny Peter Tosh concerts around this time ran about 1 hour 20 minutes and covered this material, more or less, in with Legalize It as the encore. The accompanying scan is of the tape cover. Because the WLIR DJ intro was missing f rom my source, and Legalize It fades, instead of cuts, and because the tape cover sa ys "tape flip" in Bush Doctor (mislabelled as Legalize It), but I didn't hear it, it 's likely that someone took a crack at cleaning this transfer up before I got to it. Enjoy. --mhg :: Sept 1, 2005
Pete Townshend
Pete Townshend - The Genuine Scoop
Art:
front tray front
front tray inside
back tray back
back tray inside
Notes:
PETE TOWNSHEND The Genuine Scoop label:HIWATT GS6575ABCDE commercial bootleg>unclekurty's wallet>eac>wac>shn(seekable) Disc 1 1. My Generation 2. It's Not True 3. Circles 4. Things Have Changed 5. La-La-Lies 6. Call Me Lightning 7. The Kids Are Alright 8. I'm A Boy 9. Do The Strip 10. Kill My Appetite 11. I Can See For Miles 12. I Always Say 13. Run Run Run 14. Disguises 15. Don't Look Away 16. Politician 17. So Sad About Us 18. Happy Jack 19. Substitute 20. Pictures of Lily 21. Melancholia 22. Magic Bus 23. King Rabbit 24. Lazy Fat People 25. Riot In A Female Jail 26. Accidents Disc 2 1. Dogs 2. That Motherland Feeling 3. Rael Pts 1-9 4. Overture 5. It's A Boy 6. 1921 7. Amazing Journey 8. Sparks 9. Christmas 10. The Acid Queen 11. Underture 12. Do You Think It's Alright? 13. Pinball Wizard 14. There's A Doctor 15. Go To The Mirror 16. Success 17. Tommy Can You Hear Me? 18. Smash The Mirror 19. Sensation 20. Miracle Cure 21. Sally Simpson 22. I'm Free 23. Tommy's Holiday Camp 24. Welcome 25. We're Not Gonna Take It 26. Mary Jane 27. Can't You See I'm Easy Disc 3 1. Pure and Easy 2. Teenage Wasteland 3. Going Mobile 4. Baba O'Riley 5. Time Is Passing 6. Love Ain't For Keeping 7. Bargain 8. Too Much Of Anything 9. Greyhound Girl 10. Mary 11. Behind Blue Eyes 12. I Don't Even Know Myself 13. Getting In Tune 14. Won't Get Fooled Again 15. The Song Is Over Disc 4 1. Let's See Action 2. Join Together 3. Relay 4. Put The Money Down 5. Long Live Rock 6. Love Reign O'er Me 7. Is It In My Head? 8. I've Had Enough 9. The Real Me 10. Sea And Sand 11. The Punk Meets The Godfather 12. I'm One 13. Dirty Jobs 14. Bell Boy 15. Cut My Hair 16. Drowned 17. Slip Kid Disc 5 1. No Way Out (However Much I Booze) 2. Squeeze Box 3. Girl In A Suitcase 4. Gonna Fight To Make You Mine 5. Keep On Turning 6. Who Are You 7. Love Is Coming Down 8. New Song 9. Sister Disco 10. Never Ask Me 11. I Like It The Way It Is 12. Love Is Wine 13. Broken Nails 14. Keep On Working 15. Guitar And Pen 16. Music Must Change 17. Empty Glass 18. No Road Romance Review by OSWALD From Hotwacks: Billed as home studio recordings from 1965-1975, this set is a pretty monumental collection of Townsend's demos. The nature of the material makes it impossible to tell how comprehensive it is, but a quick glance imparts that this collection very nicely supercedes a series of releases, both underground and sanctioned. As any Who fan knows, Townsend's home demos make for fascinating listening -- many of the arrangements, licks, and even vocal phrasing is already present on these rougher takes. Add to that a sort of home-made funkiness (think a more pissed-off, English version of the Band), and you have a set of recordings that stack up very well against their more familiar later, full-band versions. Townsend has leaked out this sort of stuff on the SCOOP collections for some time, but those have always been piecemeal affairs -- one track from here, another from ten years later, synth instrumentals next to unreleased songs. This collection is wonderfully focused, chronological, and in pretty strong fidelity. The three Who benchmarks, TOMMY, WHO'S NEXT, and QUADROPHENIA, are well represented, as are a host of popular album and singles tracks in sketchbook form. The thrill of having these cuts in one place and in a reasonable order is indescribable. The drawbacks to this set are few -- sound quality is pretty consistant, the material is endlessly engaging. My one complaint is the packaging. A cool mini-poster of rare foreign EP sleeves is killer, but there are no notes to put the cuts into context. That being said, it's pretty obvious where this stuff comes from, and it should be of major interest to Who buffs the world over. Pete's demo of "Empty Glass" might be the most intense thing he ever laid down... Review by Matt Whipple from Hypertext Who: This is another beautiful package from HIWATT! A super 5 CD set complete with a 9.5" x 14" double-sided poster. The tracks are all PT demos presented in chronological order of when they were recorded. The back insert states: "ALL TRACKS RECORDED 1965-1975 BY PETE TOWNSHEND IN HIS HOME STUDIOS: OLD CHURCH STREET, CHELSEA AND TWICKENHAM". Although I doubt that any of the tracks for Who Are You were recorded prior to 1975. The majority of these tracks were taken from Pete's Scoop series, The Lifehouse Chronicles and Pete's website. Disc 1 actually has a 26th song not listed on the disc - Accidents (this was written by Pete for the Thunderclap Newman release - w. Speedy Keene and a very young Jimmy McCollough a lead guitarist). On Disc 2, last 2 seconds of track 3 starts to play Jaguar. Disc 5, Track 18 - should be No Road Romance NOT No Road Running as stated on the back scan. The others are from various bootlegs still not officially released. An initial listen reveals excellent sound quality. shn'd by unclekurty@unclekurty.com SHN DISC ONE disc 1 all & disc 2 tracks 1-7 SHN DISC TWO disc 2 tracks 8-27 & disc 3 tracks 1-11 SHN DISC THREE disc 3 tracks 12-15 & disc 4 all SHN DISC FOUR disc 5
Traffic
Traffic - Winterland, S.F., Jan. 26, 1970, SBD
Notes:
Traffic 1970-01-26 Winterland San Francisco, CA Soundboard recording of unknown lineage = Dat tape. Transferred with Panasonic 3700 = Macintosh with AudioMedia III card = DigiDesign Pro To ols (Remastered - Speed adjusted, dropouts fixed by pasting in from other channel & grad ually panning between stereo & mono) = xAct (Flac level 8 files with sector boundaries v erified). md5 file created with checkSum+. Disc One - (27:13) 1. Shootout At The Fantasy Factory 6:14 2. Rock ��Roll Stew 7:43 3. Roll Right Stones 13:15 Disc Two - (56:38) 1. Empty Pages 5:35 2. Evening Blue 5:34 3. 40,000 Headmen 5:26 4. Glad 10:10 05 = Freedom Rider 6:10 6. Tragic Magic [cut] 1:54 7. (Sometimes I Feel So) Uninspired 12:02 8. Light Up Or Leave Me Alone 9:42 Steve Winwood Jim Capaldi Chris Wood David Hood Rebop Kwaku Baah Barry Beckett Roger Hawkins
Traffic - Academy of Music, NYC, Jan. 1972, LB
Notes:
Docs Vinyl Box Vol. 7---TRAFFIC---1972-01-00-New York, Academy of Music---From rare -TRAFFIC JAM-TMOQ Vinyl Boot LP! Friends, heres a copy of a very rare classic TRAFFIC , TMOQ Vinyl BootlegLP! A pic of the insert is incl. in the torrent! I was searching for this hard to find gem many years & I never saw another copy.... .... Luckilly the sound is really better than rated in the legendary Hot Wax Book and the Smoking Pig Label used probably an Audience mastertape, which they recorded themselves, since this is a different performance than the other two circulating Traffic shows from N.Y., Academy of Music Jan. 4th 1972! Anybody in doubt, just compare the end of "Low spark", which I will post amoung other MP3 samples! 01-Light Up Or Leave Me Alone 02-Glad/Freedom Rider 03-Hidden Treasure 04-John Barleycorn 05-Rock 'n Roll Stew/ 06-/Many a Mile to Freedom 07-Low Spark Of Highheeled Boys TT:56 mins Lineup Steve Winwood: voc, g, keyb. Jim Capaldi: dr, voc Chris Wood: sax & flute Rebob Kwakubaah: perc. Roger Hawkins: dr. Barry Becket: keyb. David Hood: b. Lineage: LP-Thorens TD 126 MK2 w/Dynavector arm DV-505-Goldring System 01042-Restek Vector am p- -PDR 05-EAC-Cooledit (cutout of scratchy LP ends & beginnings only)-flac Transfered, mastered & uploaded to Dime june 29th 2006 by Doc Tinker! Enjoy this great piece of TRAFFIC Vinyl Bootleg history!!
Traffic - Fillmore West, SF, CA, Jun. 1, 1972, LB
Notes:
Traffic 1972-06-01 Fillmore West San Francisco, California U.S.A. Liberating the Bootleg: "Soul Of the Road" AULICA A.133 Made in Italy Lineage: Silver CD>WAV>FLAC Level 8>Free to Trade Worldwide 01. Who Knows what Tomorrow May Bring 02. Every Mother's Son 03. Medicated Goo 04. John Barleycorn 05. Pearly Queen 06. Stranger to Himself 07. Empty Pages 08. 40,000 Headmen 09. Glad 10. Freedom Rider 11. Can't Find My Way Home 12. No Time to Live This recording first seeded on Dime June 2006 By TokeMaster Chris
Traffic - Kongresshalle, Saarbruecken, Saarland, Apr. 4, 1973
Notes:
Traffic (w/ Spooky Tooth) April 4, 1973 Kongresshalle Saarbruecken, Saarland Reel Master > Cassette > DAT > Soundforge > CDWave > CD > EAC > FLAC CD 1 =Spooky Tooth= 01 Better By You, Better Than Me 02 Tobacco Road 03 Intermission (Manfred Sexauer, Announcer) =Traffic= 04 Shoot Out At The Fantasy Factory 05 Rock & Roll Stew 06 40.000 Headmen 07 Roll Right Stones CD 2 01 Empty Pages 02 No Face, No Name, No Number 03 Glad / Freedom Rider 04 Tragic Magic 05 Evening Blue 06 Low Spark Of High Heeled Boys [fragment] Spooky Tooth - Mike Harrison, Gary Wright, Mike Kellie, Mick Jones, Chris Stewart Traffic - Steve Winwood, Chris Wood, Jim Capaldi, Reebop, Roger Hawkins, Davis Hood, Barry Beckett In the early 90s, I got to talk to a customer in the bookstore I was working at. He told me that he'd recorded this show, but hadn't seen the tape since shortly after the fact. After some months of nagging, he came up with a 90 minute tape. Little did I realize, that show had never seen the light of day ... The mists of time somehow obscure the facts, but I think he recorded it on his brand new Uher close to the speakers and I can't remember why I never came around to get the rest of this (obviously incomple te) recording, if it ever existed. He was a strange guy, (a lawyer now!) I have long lost contact since, can't even rem ember his name. Anyway, here it is. Hope you'll like it, I think it's above standard for the time. I didn't fiddle with the sound at all, here's exactly what I got back then. I gave t his to a couple of friends after I transferred it, but I think it's still a rather rare and obscure item. To end the story, some years ago, legendary german Radio & TV host Manfred Sexauer w as an infrequent customer at my own bookstore. I made a copy for him as a gift and he was really moved when I handed it out to him !
Trip Shakespeare
Trip Shakespeare - Unreleased Songs and Seldom Played Tunes 1987-1993
Notes:
TRIP SHAKESPEARE - THE LIVE RARITIES UNRELEASED SONGS AND SELDOM PLAYED TUNES 1987-1993 VARIOUS SOURCES, INCLD. SOUNDBOARD, FM and AUDIENCE RECORDINGS This upload is in response to some requests for more Trip Shakespeare on Dime. I was happy to see some live Trip lately. Very cool and props to those uploaders. A tr uly incredible live band, with a weatlh of great songs, Trip Shakespeare also had a load of songs they only ever performed live in concert. This torrent is a 2 disc co mpilation of live rarities that I put together back in 1998. Most of the tunes are non-album tracks, but there are also live performances of rare Trip B-sides and earl y versions (w/ diff. lyrics) or some Trip album cuts. Many of the recordings come from private soundboards (originally a DAT recorder plugged into the mixing desk and then subsequently copied to analog tape and from there to CD). Some of it is relat ively low generation. There are also some radio broadcast tracks as well as a few au dience recordings. Sound varies, but most of it is pretty good quality. I hope to put up some more rare Trip Shakespeare in the coming week. Enjoy!\ CD 1\ 01-Black Road (Loring Park, Mpls, MN 1987)\ 02-Fall (Loring Park, Mpls, MN 1987)\ 03-Weekend Rhyme (The Red Carpet, St. Cloud, MN 9-8-88)\ 04-Minnetonka Lady (CMU Ballroom, Moorhead, MN 10-12-89)\ 05-Driving Under The Influence of Love (The Bottleneck, Lawrence, KS 2-10-90)\ 06-River Of Endless Light (The Bottleneck, Lawrence, KS 2-10-90)\ 07-10,000 Watt Searchlight (The Bottleneck, Lawrence, KS 4-19-90)\ 08-We'll Lie Alone (The Bottleneck, Lawrence, KS 4-19-90)\ 09-Story's End (CMU Ballroom, Moorhead, MN 10-20-90)\ 10-Checkout Girl (The Cabooze, Mpls, MN 11-16-90)\ 11-Day Off Tomorrow (The Cabooze, Mpls, MN 11-16-90)\ 12-18 Wheeler (The Iron Horse, Northhampton, MA 3-2-92)\ 13-Trumpet (Cin, OH 1992)\ 14-Little Darling (1st Ave, Mpls, MN 12-14-92)\ 15-Star (1st Ave, Mpls, MN 4-7-93)\ 16-Bride (1st Ave, Mpls, MN 4-7-93)\ 17-National Angel (1st Ave, Mpls, MN 4-7-93)\ 18-Fool Of The Wicked Kind (1st Ave, Mpls, MN 4-8-93)\ 19-Raking Service (USD Rockfest, Sioux Falls, SD 5-1-93)\ CD 2\ 01-Earth, By Revolving (Twin Cities, MN 7-12-88)\ 02- Weekend Rhyme (Milwaukee, WI 1988)\ 03-Story's End (Milwaukee, WI 1988)\ 04-Fool Of The WIcked Kind (Milwaukee, WI 1988)\ 05-Driving Under The Influence Of Love (The Red Carpet, St Cloud, MN 9-8-88)\ 06-Bachelorette (CMU Ballroom, Moorhead, MN 10-12-89)\ 07-Minnetonka Lady (The Red Carpet, St. Cloud, MN 10-13-89)\ 08-River Of Endless Light (The Lonestar, Kansas City, MO 12-11-89)\ 09-10,000 Watt Searchlight (The Bottleneck, Lawrence, KS 2-10-90)\ 10-We'll Lie Alone (The Bottleneck, Lawrence, KS 2-10-90)\ 11-Day Off Tomorrow (CMU Ballroom, Moorhead, MN 10-20-90)\ 12-Fall (CMU Ballroom, Moorhead, MN 10-20-90)\ 13-None Of The Regular Rules... (The Iron Horse, Northhampton, MA 10-25-91)\ 14-Lulu (The Bottleneck, Lawrence, KS 10-26-90)\ 15-Look At The Moon (The Bottleneck, Lawrence, KS 10-26-90)\ 16-Your Mouth (The Bottleneck, Lawrence, KS 10-26-90)\ 17-Checkout GIrl (The Iron Horse, Northhampton, MA 10-25-91)\ 18-Trumpet (The Iron Horse, Northhampton, MA 10-25-91)\ 19-Susannah (The Cabooze, Mpls, MN 11-16-90)\
Derek Trucks
Notes:
Derek Trucks & Susan Tedeschi Soul Stew Revival Chautauqua Auditorium <96> Boulder, CO July 19, 2008 (AUD) Disc One 01. Don<92>t Do It 02. People 03. Little By Little 04. Anyday 05. I Wants To Be Loved 06. Pack Up Our Things 07. Don<92>t Cry No More 08. Hercules 09. Don<92>t Keep Me Wonderin<92> Total Time: 54:53 Disc Two 01. Sugar 02. Get Out Of My Life 03. Glad You<92>re Gone 04. Key To The Highway 05. The Weight - encores - 06. Save Me 07. Freddie<92>s Dead Total Time: 56:15 Track names verified with http://www.dtbsetlists.com Soul Stew Revival Band (stage left to stage right) Count M<92>Butu <96> congas and percussion Kevin Hyde <96> trombone Mace Hibbard <96> tenor saxophone Paul Garrett <96> trumpet Mike Mattison <96> lead vocals Duane Trucks <96> drums Yonrico Scott <96> drums Todd Smallie <96> bass guitar Kofi Burbridge <96> keyboards and flute Susan Tedeschi <96> guitar and vocals Derek Trucks - guitar Lineage Original 1-bit/2.8 mHz audience recording (Poor_Yorick) seated in first row approximately 20 feet to right of center stage. Audio Technica AT 831 lavalier cardioids (SP CMC 2) > Reactive Sounds SPA-2 Mic Pre-Amp > Korg MR-1 recorder at 1-bit/2.8mHz DSD > uploaded through Korg Audiogate > Creative SB Audigy 4 card > converted to 16-bit/44.1 mHz - > clarifications made to selected frequencies to compensate for venue acoustics - Cool Edit 2000 > sect or boundary alignment, conversion FLAC Frontend 1.7.1 lev6. *** This music is not for sale and should not to be reproduced or distributed in a lossy format such as MP3. Please support the artist by buying official releases and attending performances. *** Comments MP3 sample included. Slide guitar virtuoso Derek Trucks and his 10-piece Soul Stew Revival band including si nger, songwriter, guitarist Susan Tedeschi rocked the 1920<92>s restored, 1500-seat, Chautauqua Auditorium wi th their blend of original music and soulful variations of standards from Derek and The Dominoes, The Allman Brothers Band, Aretha Franklin, Curtis Mayfield, The Band, and more. They performed a solid 111 minute show and were treated to several, well-deserved standing ovations. Hoping the energy of the show transfers as you listen. Enjoy P_Y
True Believers
True Believers - Reunion, The Terrace, Austin, TX, Mar. 18, 1994
Notes:
True Believers The Terrace Austin, TX SXSW March 18, 1994 JEMS Master Sonic Studios DSM-6P > Denon DTR-80P DAT DAT Master > Marantz CDR-620 standalone CD recorder > CD-R Master > FLAC (xACT extraction) 01 Intro 02 Rebel Kind 03 Hard Road 04 Who Calls My Name 05 Please Don't Fade Away 06 One Moment to Another 07 Train Going Round the Bend 08 Only a Dream 09 She's Got 10 Nobody's Home 11 Wild Eyed & Wound Up 12 Home 13 I Get Excited 14 Foggy Notion 15 The Rain Won't Help You When It's Over 16 All Mixed Up Again There have been other True Believers reunions, but this, I believe, was the first and only(?) with one of the band's full early line-ups, reunited to celebrate the release of Rykodisc's Hard Road compiling the band's first and until t hen "lost" second album. the players this night were: Alejandro Escovedo (vocals, guitar) Javier Escovedo (guitar, vocals) Jon Dee Graham (guitar, vocals) Denny DeGorio (bass) Ray Washam (drums) The show was the centerpiece of SXSW 1994 and the band played a couple of songs at the awards show the night before, but this was the proper one-off gig. I was only just becoming a major Alejandro fan, but knew enough to recognize thi s performance as something special and I was not disappointed. Turns out my future Brisket Brother, BW, was also reco rding the show standing not a few feet away from me, but we didn't know each other at the time. Later we'd join force s on a host of Alejandro projects, notably More Miles Than Money. I was standing perhaps 10-15 feet away from one stack of a very loud PA and when I turn off axis, you'll notice. But for the most part the recording is, I think, quite good. Sample provided.
True Believers - Continental Club, Austin, TX, Apr. 3, 2002, SBD
Notes:
the true believers 2002-04-03 the continental club austin,tx sbd>dat>standalone cdr1>dbpoweramp>flac8 alejandro escovedo javier escovedo jon dee graham hector munoz denny degorio
TV on the Radio
TV on the Radio - Showbox, Seattle, WA, May 5, 2006
Notes:
TV On The Radio Showbox Seattle WA May 5 2006 SOURCE: Sonic Studios DSM-6 > PA-6LC -> MicroTrack TRANSFER: MicroTrack -> USB -> Adobe Audition -> Mastering Rack (Wave Arts TrackPlug 5, Wave Arts MultiDy namics 5, iZotope Mulitband Compressor) -> WAV>cdwave>FLAC (5 -v) TAPER: OasisDouglas www.oasisdouglas.com 01 Intro 02 The Wrong Way 03 I Was A Lover 04 Dreams 05 Province 06 Snakes + Martyrs 07 Young Liars 08 Dirty Whirlwind 09 Wolf Like Me 10 Let The Devil In 11 Satellite 12 Encore cheer 13 R. Kelly* 14 Staring At The Sun 15 Seattle's Motto* 16 Ambulance *banter tracks
McCoy Tyner
McCoy Tyner Quartet - Tokyo, Dec. 1972, FM
Notes:
McCoy Tyner Quartet Tokyo 1972-12 FM Quality A FM -> cassette (acquired in trade) -> Nak DR-1 -> Audiophile 2496 -> Soundforge -> W ave -> CD-R -> Nero -> flac McCoy Tyner (piano and koto) Sonny Fortune (ss, as & flute) Alphonse Mouzon (drums, percussion) Calvin Hill (bass, percussion) Disc 1 1 Intro 1:37 2 Ebony Queen 30:55 3 Rebirth 12:11 tt 45:43 Disc 2 1 ? 23:18 2 Sahara 24:02 tt 47:20 Grand Total Time 93:03 This music is from an LP called Sahara, recorded in January 1972 with the same perso nnel. Alphonse Mouzon had just left Weather Report, and Sonny Fortune had not yet j oined Miles.
McCoy Tyner - Jazzfest Berlin, Philharmonie, Nov. 3, 1990, DVD
Notes:
McCoy Tyner Big Band JazzFest Berlin, Philharmonie - 3.November 1990 1. 0:00:00 The High Priest 2. 0:08:41 Blues for Basie 3. 0:34:56 Fly with the wind -0:56:10 McCoy Tyner - p, ld Avery Sharpe - b Aaron Scott - dr Kamau Adilifu - tp Earl Gardner - tp Virgil Jones - tp John Clark - frh Frank Lacy - tb Clark Gayton - tb Howard Johnson - tu Joe Ford - as, ss, fl Doug Harris - as, ss, fl John Stubblefield - ts TV (Cable) -> VHS (1.gen.) -> DVD-Burner (HDD->DVD) good, sometimes very good quality - no major faults Sorry, but I can't make a title menu, but the tracks are chaptered, so you can skip forward and backward.
McCoy Tyner - SWR Jazz Session, Zeltival, Karlsruhe, Jul. 12, 2006
Notes:
McCoy Tyner - SWR Jazz Session, Zeltival, Karlsruhe, 12 July, 2006 McCoy Tyner, p Donald Harrisson, as Eric Alexander, ts Wallace Roney, tp Steve Turre, tb Charnett Moffett, b Eric Kamau Gravatt, dr setlist: 01 Tranelike* 11:08 02 In A Mellow Tone* 08:26 03 Elemote 15:00 04 Angelina 17:50 05 Blues On The Corner 13:09 06 Impressions 12:45 07 Ballad For Aisha* 10:46 08 Happy Days* 07:17 * Trio (p, b, dr) TT: 1:36:21 source: ADR > iRiver H340 > HDD > CDWAVE > WAV > Flac Frontend > Flac
Notes:
"The House That Trane Built" McCoy Tyner All Star Septet Jazz Club Fasching Stockholm, Sweden July 16, 2006 FM broadcast > Philips CDR765 > Adobe Audition 2.0 > dBpowerAMP Music Converter 11.5 Personnel: Wallace Roney (tp) Donald Harrison (as) Eric Alexander (ts) Steve Turre (tb) McCoy Tyner (p) Charnett Moffett (b) Eric Gravatt (d) Tracklist: 1. Intro by radio announcer 0:43 2. Trane like (trio) 8:36 3. Mode for Joe 13:44 4. unknown (p-solo) 3:36 5. unknown 12:56 6. unknown (trio) 13:31 7. Blues on the corner / applause 15:38 8. Happy days (trio) [encore] 13:12 TT 82:02 *Taped & Transferred by peterw
McCoy Tyner Trio - Monterey Jazz Festival, Monterey, CA, Sep. 16, 2006, FM
Notes:
McCoy Tyner Trio September 16, 2006 Monterey Jazz Festival, Monterey, Ca. -FM radio broadcast of the 49th annual Monterey Jazz Festival. Show started at 10:50 p.m. Any help with the set list is appreciated. McCoy Tyner-piano Charnett Moffett-bass Eric Kamau Gravatt-drums also featuring: Bobby Hutcherson-vibes Roy Hargrove-trumpet 1. intro 2. - 3. - 4. - 5. - 6. - 7. applause/outro 8. dj discussion 9. Roy Hargrove interview
